{"title":"Cindy Crawford - David Yarrow","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/2026_Yarrow_Bio.pdf?v=1763068726\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan class=\"s1\"\u003eDavid Yarrow Biography\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"hostiles","title":"Hostiles","description":"\u003cp\u003eMontana, USA - 2020\u003c\/p\u003e\n\u003cdiv class=\"single-collections-page__available-sizes\"\u003e\n\u003cdiv class=\"single-collections-page__available-sizes\"\u003e\n\u003cp\u003eFramed Size\u003c\/p\u003e\n\u003cp\u003eLarge: 71” x 111” - \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEdition of 20\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"single-collections-page__available-sizes-content\"\u003eStandard: ONLY 1 Left.\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__available-sizes-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__content single-collections-page__content--visible\"\u003e\n\u003cdiv class=\"single-collections-page__content-container text\"\u003e\n\u003cdiv class=\"single-collections-page__info\"\u003e\n\u003cp\u003eWe have all, at one time or another, entered a bar and immediately felt out of place. At the most extreme level this can evoke a sense of trespassing. This was very much the narrative behind this photograph. To be greeted by an overtly territorial crew with menace and attitude.\u003c\/p\u003e\n\u003cp\u003eBut for the story to work, two things had to coalesce as one - the characters and the interior. I like playing with the cold, it adds a visceral layer to the story and in this case, it hints at an outpost on the final frontier. Surely the further off the beaten track we travel, the greater the chance of being the outsider.\u003c\/p\u003e\n\u003cp\u003eThis is a frame that exhausts every inch available in the camera and that was my intent. There were so many characters I wanted to include, but I was also reluctant to lose the mood of the frozen saloon. The icicles on the frosty bison with the snow laden television playing True Grit were key assets that needed to be seen to amplify the sense of cold.\u003c\/p\u003e\n\u003cp\u003eOur key asset was, of course, Cindy Crawford and she had to have sovereignty of the joint. She can play a badass very well and that was her ascribed role. It is not easy for everything to come together in such a tight setting as one tension spot can ruin the whole pastiche. It’s akin to camels and the eye of the needle. The wolf ’s paw on this occasion came very close to Cindy’s shot glass, but we got away with it.\u003c\/p\u003e\n\u003cp\u003eThe wolf is actually a domestic dog breed called tamaskan - he is not 100% wolf, but that mattered little, as he merely added to the sense of trespass. The only reason to linger in this bar would appear to be the landlady. Maybe she could be won over? Who knows, but she certainly owns the image.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__available-sizes\"\u003e- David Yarrow\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__image\"\u003e\n\u003ccanvas class=\"canvas-wedge ready\" width=\"4000\" height=\"2342\"\u003e\u003c\/canvas\u003e\n\u003cdiv class=\"overlay share-count-0\" layout=\"layout1\"\u003e\n\u003cdiv data-layer=\"share\"\u003e\n\u003cdiv data-close=\"\"\u003e\n\u003ci class=\"fa fa-times\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-layer=\"deterrent\"\u003e\n\u003cdiv class=\"deterrent__message_container\"\u003e\n\u003cdiv data-deterrent-message=\"\" class=\"no-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-close=\"\" data-accept-deterrent-button=\"\"\u003e\n\u003ci class=\"fa fa-times\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-layer=\"email-dialog\"\u003e\n\u003cdiv class=\"email-dialog__wrapper\"\u003e\n\u003cdiv class=\"email-dialog__close\"\u003e\n\u003ci class=\"fa fa-times\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"main\" data-layer=\"main\"\u003e\n\u003cdiv class=\"action-buttons\"\u003e\n\u003cdiv class=\"action-buttons__wrapper --teaserinfo\"\u003e\n\u003cdiv class=\"action-buttons__button\" data-fullscreen=\"\"\u003e\n\u003ci class=\"fa fa-expand-alt\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39420144255047,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Hostiles.jpg?v=1722459385"},{"product_id":"on-the-road-again","title":"On The Road Again","description":"\u003cp\u003eMontana, USA - 2020\u003c\/p\u003e\n\u003cp\u003eFramed Size\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"single-collections-page__available-sizes\"\u003e\n\u003cdiv class=\"single-collections-page__available-sizes-content\"\u003eLarge: 71” x 94”. \u003cmeta charset=\"utf-8\"\u003eEdition of 20\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__available-sizes-content\"\u003eStandard: Framed \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e52” x 67”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__info\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__info\"\u003eOnce we found the caterpillar road that dissects this picture, I knew that we had the canvas on which to continue our road series that started in 2018. The area is so remote that we doubt it has been used as a film location before, certainly not with an American icon as the lead player. The only traffic was the occasional oil worker or perhaps someone that was totally lost. The next big event north of here is the Canadian border and that’s some 300 miles away. It is not a place to run out of gas.\n\u003cp\u003eCindy makes the picture for sure. The styling is perfect and there is a such a good energy cowgirl chic in her manner. This was the intent in the preconception - the two companions were enjoying the freedom of the vastness of the American West.\u003c\/p\u003e\n\u003cp\u003eThe sense of place is palpable. This is the America that so many know and love, with its long roads running to the horizon with either side exuding a simple sense of calm and solitude. No other country in the world offers road trips as visually rewarding as America and they are integral to the fabric of the American dream.\u003c\/p\u003e\n\u003cp\u003eThe snowfall the previous night added another layer to the narrative both on the road itself and on the prairies. We were lucky that the snow stopped and the light picked up. It adds warmth to an image already glowing with positivity and joy.\u003c\/p\u003e\n\u003cp\u003eWillie Nelson was surely singing “\u003cem\u003eOn the Road Again\u003c\/em\u003e” on the car radio with the volume turned up to the maximum level.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn the road again\u003cbr\u003eGoin' places that I've never been\u003cbr\u003eSeein' things that I may never see again\u003cbr\u003eAnd I can't wait to get on the road again\u003cbr\u003eOn the road again\u003cbr\u003eLike a band of gypsies, we go down the highway\u003cbr\u003eWe're the best of friends\u003cbr\u003eInsisting that the world keep turning our way\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e- David Yarrow\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__available-sizes\"\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__available-sizes\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39420153004103,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-On-The-Road-Again.jpg?v=1722459415"},{"product_id":"1992","title":"1992","description":"\u003cp\u003eSanta Clarita, California - 2021 \u003cbr\u003eFramed sizes:\u2028\u003c\/p\u003e\n\u003cp\u003eStandard - \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e52\" x 71\" \u003cmeta charset=\"utf-8\"\u003eFramed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLarge (ONLY ONE LEFT) - 56” x 84” Unframed, 71” x 99” Framed - Edition of 20\u003c\/p\u003e\n\u003cp\u003eJoe Pytka’s 1992 Pepsi Ad with Cindy Crawford is iconic; indeed, it is probably one of the most celebrated commercials of all time. So much so, that there have been many retakes and parodies. As we all know, it featured a 26-year-old Crawford pulling up to the Halfway Café in a red sports car wearing a white tank top and jean shorts. Two young boys stare as the supermodel buys a Pepsi from a vending machine and drinks it down.\u003c\/p\u003e\n\u003cp\u003eFor some time I had yearned to do my own interpretation of the advert with a still photograph and I secured Cindy’s involvement, who in turn secured Pepsi’s approval (given the implicit tribute, why would Pepsi say “no”?). The Halfway House has not changed at all from 1992 and neither really has Cindy. The rest of the props were easy to replicate.\u003c\/p\u003e\n\u003cp\u003eThe issue was the two boys who were never in the same frame as Cindy in the advert and would be even harder to acknowledge or incorporate into one photograph whilst maintaining the narrative. The idea I went along with was to use wolves instead - that way I could introduce a new angle without losing the integrity of the adaptation. \u003cbr\u003eWhy wolves? Well it is a metaphor for all the men who have wanted to be at that gas station the next time Cindy Crawford turned up to fill up with gas, or indeed buy a soft drink. I wanted them to be looking keenly towards Cindy and the only way that could work in my set was to have them approaching her from behind. Since the roof was down in the car, it made total sense for them to have stealthily sneaked into the back seats whilst she went about her business. There is the necessary hunger and yearning in their disposition.\u003c\/p\u003e\n\u003cp\u003eCindy looks fabulous and makes the image which we all agreed had to be in colour. I must make mention of Peter Savic - the legendary hair stylist who worked with Cindy on the original commercial. How lucky am I that 29 years later he came back to the Halfway House for the reunion and styled Cindy’s hair again?\u003c\/p\u003e\n\u003cp\u003eDYP would like to make it clear that the “wolf ” in the image is actually a domesticated Tamaskan dog - which have similar facial characteristics to Wolves.\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39471895543879,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-1992.png?v=1722545735"},{"product_id":"american-beauty","title":"American Beauty","description":"\u003cp\u003eSanta Clarita, California - 2021\u003c\/p\u003e\n\u003cp\u003eFramed sizes:\u003cbr data-mce-fragment=\"1\"\u003eStandard - 40” x 37” Unframed, 55” x 52” Framed - Edition of 20\u003c\/p\u003e\n\u003cp\u003eLarge - 61” x 56” Unframed, 76” x 71” Framed - Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShooting at night with the right amount of panel lighting offers the chance to add cinematic drama and edge to a still image. There can be a crispness to the detail that grabs the eye and energises a frame. But waiting for the sun to go down does raise the risk of failure, as coupling neon signs and car headlights with panelled LED lighting, is not straightforward. Moreover, the working light is still not generous and the camera’s ability to capture the intended narrative is pushed to the limits; slower shutter speeds, wider apertures and higher ISOs.\u003c\/p\u003e\n\u003cp\u003eOn this 1950s set - built in Santa Clarita near Los Angeles - my excellent production team gave me the chance to create something very special. American icon Cindy Crawford would be my lead, so there was a little bit of pressure to be on my game, especially as Cindy had made the location famous from the iconic 1992 Pepsi commercial. The gas station and cafe haven’t changed much and neither, in fact, has Cindy.\u003c\/p\u003e\n\u003cp\u003eMy preconception was to use the panel lighting to showcase Cindy in an intense rain storm. The rain would pop much more than it would do in daylight. I could see the potential of the concept; the set, complete with 1950s LA cop cars, was authentic and all the angles worked. There was an intended nod to the wonderful movie - LA Confidential - but the problem was that her period evening glam look would be immediately vulnerable to the rain.\u003c\/p\u003e\n\u003cp\u003eIn my creative processing beforehand I had established in my mind that there could not be many retakes of this shoot. Her hair, so intelligently styled by the legendary Peter Savic, would be in trouble after just a few seconds; quickly followed by her evening dress. We had at best 10 seconds to get the shot.\u003c\/p\u003e\n\u003cp\u003eWhat I knew was that Cindy is a trooper and indeed she smashes this picture. There are few people that would perform so professionally under such circumstances. She is as good as it gets and this picture is made by her, not me.\u003c\/p\u003e\n\u003cp\u003eI would like to thank Cindy’s excellent A team of Peter Savic, Nicole Allowitz, Jennifer Jacobs and Sam Visser. As for Cindy, it is always a treat to work with the very best. A true American Beauty inside and out. ~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39471902457927,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-American-Beauty.png?v=1722545759"},{"product_id":"americana","title":"Americana","description":"\u003cp\u003eSanta Clarita, California - 2021\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStandard - 37” x 37” Unframed, 52” x 52” Framed - Edition of 20 \u003cbr data-mce-fragment=\"1\"\u003eLarge - 56” x 56” Unframed, 71” x 71” Framed - Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe roll out of the road system in America accelerated geographical mobility and the pursuit of the American dream. The country is, and always will be, the home of the road trip. Motorbikes and roadside diners and gas stations became enduring cultural symbols of America.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeanwhile, the Harley Davidson evolved into an iconic American brand and bikers themselves carved their own archetype and story in a rapidly developing society. There was a spirit of freedom captured so well in the 1969 movie Easy Rider and by bands such as the Eagles, who encouraged us to “take it easy”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst I did not take this photograph standing on a corner in Winslow, Arizona and whilst none of the bikers look remotely like Peter Fonda, there is a deliberate nostalgic nod to a freewheeling era in American history. My goal was to make a photograph to elicit memories of the America we once knew.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut this vignette is, of course, completed by perhaps America’s most loved supermodel - Cindy Crawford. We could not possibly use any other person in this shoot, as the set we had chosen was the very diner she made famous in the iconic Pepsi advert of 1992.\u003cbr data-mce-fragment=\"1\"\u003eThere may be no cowboys in this photograph or baseball bats or country music references, but there is enough to make it quintessential Americana.\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39471906816071,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Americana-5.jpg?v=1722459544"},{"product_id":"the-daily-news","title":"The Daily News","description":"\u003cp\u003eSanta Clarita, California - 2021\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFramed sizes:\u003cbr data-mce-fragment=\"1\"\u003eStandard - 37” x 55” Unframed, 52” x 70” Framed - Edition of 20 \u003cbr data-mce-fragment=\"1\"\u003eLarge - 56” x 84” Unframed, 71” x 99” Framed - Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProof again that Cindy Crawford is gold dust for a photographer. She looks quite sensational in this “film noir” piece taken at the very location made famous by her Pepsi commercial in 1992.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMy idea was to build a 1950s set and shoot at night; not just to add drama and contrast, but also to legitimise the period evening glam look. One I knew Cindy would excel in.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the weeks running up to the shoot, I played around with a few possible narratives and I was drawn to the concept of a film set within a film set. I had long admired Peter Lindberg’s work for the Breitling Squad campaign which also played on this theme and I also knew how Hollywood always enjoys work showcasing itself. The nod to Peter Lindberg was apposite as he and Cindy often collaborated together to great effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt dawned on me that those with cameras could be press men as opposed to film makers and the narrative could lean on the intense media interest Hollywood stars have long received. Since the Press tend to hang as a pack, I could play on that and throw in a wolf. The premise was that the vignette should live and breathe cinema.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMy instincts were that Cindy should be enjoying the attention and her face should glow, not scowl. Over the years I have learnt that she is very comfortable playing a role and the look certainly works here.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe still cameraman in the photograph is Dimitri Dimitrov - Sunset Tower’s much loved and celebrated Maître D. He has had so many cameo roles in Hollywood over the years and I did not want to miss out. Cindy and I were delighted to have him on set - as were my family who adore him.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDYP would like to make it clear that the “wolf ” in the image is actually a domesticated Tamaskan dog - which have similar facial characteristics to Wolves.\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39471916777543,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Daily-News.png?v=1722545792"},{"product_id":"the-unusual-suspects-ii","title":"The Unusual Suspects II","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMontana, USA - 2019 \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSizes\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLarge – 56” x 93” Unframed, 71 x 108” Framed – Edition of 20\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStandard – 37” x 61” Unframed, 52 x 76” Framed – Edition of 20\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn January 2019, I revisited an old saloon, high in the mountains of western Montana. The Pioneer Bar embodies everything I look for in a final frontier setting and I know my angles and my light here. That day there were some of the usual suspects at the bar and then a rather unusual one in Cindy Crawford. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI took an important photograph that day which we consequently called The Unusual Suspects and it became coveted. The cinematic image has now sold out and in so doing, raised over $750,000 for the University of Wisconsin’s Pediatric Cancer Care hospital in Madison; an acclaimed institution long supported by Cindy. It has been my best-selling image of the last two years and I understand why it resonates with so many collectors. The rich “wild west” characters speak for themselves and every face is the right face. For those that own a bad ass bar, this is the badass picture to adorn the wall. Indeed, the photograph adorns my own American style bar back in the UK. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn ten days’ time, Cindy and I will be in the Midwest hosting a series of fund-raising events in Madison and Chicago. To build momentum into the weekend, we are today releasing a second image taken one fifth of a second earlier in that bar. The wolf is one step back from the original but his head is right within the tiny focal plane. We have been holding off for the right occasion to release this and now is the time. \u003cbr\u003eThere are no other shots that worked that day; it is just such a difficult concept to pull off as the focus is everything and there is no margin for error. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe hope that this picture will raise another $750,000 over time for a great cause. We know there are buyers already.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39496326807623,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Unusual-Suspects-II-2.jpg?v=1722459563"},{"product_id":"the-winner-stays-on","title":"The Winner Stays On","description":"\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003eLARGE\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e56” x 82”\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003eFramed:  71” x 97”\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003eSTANDARD\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e37” x 54”\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003eFramed:  52” x 69”\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003eWe sadly no longer work with the legendary bear Adam in Montana, but we have some precious memories of our time with him as do many of the mountain men in places like Clyde River where Adam would enjoy a pint of beer in the corner of the local bar. He was habituated to humans and had the most gentle of spirits despite his enormous size. Parents would bring their children from miles away to see the local celebrity in the flesh and were always left in awe at his stature and beauty. Adam was an ambassador for an animal that is feared more than it perhaps should be. \u003cbr\u003e \u003cbr\u003eThis tiny saloon near Amsterdam in Western Montana is a hidden gem and houses a stunning antique pool table with weathered oak and treated leather. The surface may not play true, but it transcends at a textural level and it was always my intent to incorporate this detail into a staged shot. I knew that Adam would have no problem getting into the bar and once inside we could involve both him and the pool table in a story. \u003cbr\u003e \u003cbr\u003eI use a 24mm wide angle as my default lens in my interior shots as by definition it allows for as wide a narrative as possible and in this gem of a location that was necessary. Meanwhile, there was just enough of a big enough window to light up Adam whilst keeping the rest of the saloon moody and atmospheric. Those with an eye for detail will be able to make out Cindy Crawford as one of the distant pool players. You just never know what’s around the corner at DYP.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39498163093575,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Winner-Stays-On-2.jpg?v=1722546159"},{"product_id":"american-hustle","title":"American Hustle","description":"\u003cdiv class=\"prints-table__column\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003eLARGE\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e56\" x 84\"\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003eFramed:  71” x 99”\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003eSTANDARD\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e37\" x 56\"\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003eFramed:  52” x 71”\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cp\u003eWe discovered this bar in the middle of nowhere on a little road to a hamlet called Amsterdam which is about 15 minutes south of Bozeman, Montana. As soon as I set foot inside this treasure trove on a bleak and cold Sunday morning in January, I knew that I would have to film inside - it was effectively a microcosm of the original wild west - the centre piece being a pool table that looked as if it belonged to the gold rush era. The caved pattern in the leather rim hinted at many hours of skilled craftsmanship.\u003c\/p\u003e\n\u003cp\u003eThe bar had never been used as a filming location before and what better person to baptise the premises than perhaps the most coveted and acclaimed American model of my generation - Cindy Crawford? \u003c\/p\u003e\n\u003cp\u003eCindy is a total professional and holds a room, but I wanted her to take a journey away from her comfort zone and play the role of “the bad ass Hustler”. When someone is asked to play a role, as opposed to model, the intelligence of the individual becomes a key variable and I know Cindy Crawford is very smart - so she killed the look.\u003c\/p\u003e\n\u003cp\u003eCompositionally, I knew that Cindy must be the focal point of the whole vignette and that meant placing here directly behind the pool table and then arranging the contextual characters as best as the tiny space could afford.  Every inch of the image had to sweat even before we brought in the wolf.\u003c\/p\u003e\n\u003cp\u003eIt was an ambitious idea for sure - a wolf and Cindy Crawford playing pool in a dimly lit mountain bar in the middle of nowhere in Montana. I wanted to convey the idea that anyone from out of town entering this bar, would leave with fewer dollars in their pocket than when they arrived. They had been hustled.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39498553327687,"sku":"","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-American-Hustle_4fb55427.jpg?v=1743281661"},{"product_id":"cindys-shotgun-wedding","title":"Cindy's Shotgun Wedding","description":"\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003eLARGE \u003cmeta charset=\"utf-8\"\u003e56\" x 88\" Framed:  71” x 103”\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003eStandard Size - Framed \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e52” x 73\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003eMontana, 2019\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"single-collections-page__info\"\u003e\n\u003cp\u003eYou don't get a second chance to work with Cindy Crawford, so there was obviously a little pressure. I took her to a place I know well - the ghost town of Nevada City, Montana as I hoped familiarity with the light and the angles would help me. I needed as many variables under my control as possible on an ambitious story line. The one thing we could not manage or predict was the weather and last week it was cold.\u003c\/p\u003e\n\u003cp\u003eIf Cindy was outside her comfort zone with the temperatures so low and a big wolf as a companion, she did not flinch. She is professional, stoic and game and it was an honour to work with a true American idol. She sets a high bar on so many levels.\u003c\/p\u003e\n\u003cp\u003eIt was a big effort for her to fly from LA to hang out with me and my team whom she had never met before and then work in freezing temperatures with some big wolves. She never complained and took no fee at all. Quite amazing.\u003c\/p\u003e\n\u003cp\u003e50% of net proceeds from the sales of this image - Cindy’s Shotgun Wedding - will go towards her notable charity work - focused on raising money for children with cancer. She nailed the image and I think everyone will agree she looks fantastic.\u003c\/p\u003e\n\u003cp\u003eI am very fortunate that she trusted me to do this and I am humbled by her professionalism and grace.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-collections-page__available-sizes\"\u003eDavid Yarrow\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"prints-table__column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39498553720903,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Cindys-Shotgun-Wedding.jpg?v=1723409781"},{"product_id":"summer-of-75-color","title":"Summer of '75 - Colour","description":"\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eLos Angeles, California - 2022 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLarge – 56” x 70” Unframed, 71” x 85” Framed – Edition of 20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStandard - SOLD OUT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpielberg once said \u003c\/span\u003e\u003cspan\u003e“a good idea almost always starts off as a bad idea, that’s why it takes so long”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI am drawn to filming road stories as the road can direct the viewer and the implicit journey is an allegory of the journey of life; we are all on our own road trip. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSunset Boulevard does not split landscapes with the majesty and grandeur of the deserts of the South West, but it is up there for me as one of the most exciting stretches of road in America. It is the heart of movie land and the massive billboards on the strip in West Hollywood leave the driver in no doubt that they are in the entertainment capital of the world. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy favourite filming location on the boulevard is looking west on the border of West Hollywood and Hollywood. In part because I can give a nod to one of the most famous hotels in the world without killing the compositional balance and in part because the famous vertical billboard, so often used by Marlboro in the old days, is in the heart of the image. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is a special part of Americana and I am surprised that American icons have not been filmed more often in this location. I guess one reason is that it’s a very busy road and shutting it down for filming is not easy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe idea of shooting here needed work and refinement. We needed a lead, we needed to close the road down and then we needed a creative idea around which to wrap everything. My choice of lead was easy; Cindy Crawford is made for this shot. The closure of the road restricted our window to a Sunday morning between sunrise and 8 am, which meant a 4.30 am wake up. But Cindy is the most punctual, professional and willing of all the stars with whom we work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe creative processing was the key. I decided that we could go back in time to an era when Hollywood was free rolling, liberal and fun and all the props would emphatically play to that moment in time. It was the love and peace summer of 1975. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCindy’s team of stylist Nicole Allowitz; hair stylist Pete Savic and make up star Sam Visser are one hell of a crew and she looked absolutely fantastic. My job is easy with her on board and as always, we had a blast. I wanted a mid 70s vibe and Cindy’s team and my production team delivered. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI am pleased that one of the greatest films of all time - Jaws - takes care of the Marlboro billboard. As its iconic director said \u003c\/span\u003e\u003cspan\u003e“good ideas take time”. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39652758978631,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Summer-of-75-Color.jpg?v=1723755743"},{"product_id":"summer-of-75-black-white","title":"Summer of '75 - Black \u0026 White","description":"\u003cdiv class=\"page\" title=\"Page 2\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLos Angeles, California - 2022 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLarge – 56” x 70” Unframed, 71” x 85” Framed – Edition of 20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStandard - 37” x 46” Unframed, 52” x 61” Framed - Edition of 20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpielberg once said \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e“a good idea almost always starts off as a bad idea, that’s why it takes so long”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI am drawn to filming road stories as the road can direct the viewer and the implicit journey is an allegory of the journey of life; we are all on our own road trip. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSunset Boulevard does not split landscapes with the majesty and grandeur of the deserts of the South West, but it is up there for me as one of the most exciting stretches of road in America. It is the heart of movie land and the massive billboards on the strip in West Hollywood leave the driver in no doubt that they are in the entertainment capital of the world. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy favourite filming location on the boulevard is looking west on the border of West Hollywood and Hollywood. In part because I can give a nod to one of the most famous hotels in the world without killing the compositional balance and in part because the famous vertical billboard, so often used by Marlboro in the old days, is in the heart of the image. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt is a special part of Americana and I am surprised that American icons have not been filmed more often in this location. I guess one reason is that it’s a very busy road and shutting it down for filming is not easy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe idea of shooting here needed work and refinement. We needed a lead, we needed to close the road down and then we needed a creative idea around which to wrap everything. My choice of lead was easy; Cindy Crawford is made for this shot. The closure of the road restricted our window to a Sunday morning between sunrise and 8 am, which meant a 4.30 am wake up. But Cindy is the most punctual, professional and willing of all the stars with whom we work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe creative processing was the key. I decided that we could go back in time to an era when Hollywood was free rolling, liberal and fun and all the props would emphatically play to that moment in time. It was the love and peace summer of 1975. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCindy’s team of stylist Nicole Allowitz; hair stylist Pete Savic and make up star Sam Visser are one hell of a crew and she looked absolutely fantastic. My job is easy with her on board and as always, we had a blast. I wanted a mid 70s vibe and Cindy’s team and my production team delivered. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI am pleased that one of the greatest films of all time - Jaws - takes care of the Marlboro billboard. As its iconic director said \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e“good ideas take time”. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39652759470151,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Summer-of-75-Black-White.jpg?v=1723755757"},{"product_id":"the-fox-and-hound","title":"The Fox and Hound","description":"\u003cdiv class=\"page\" title=\"Page 2\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLos Angeles, California - 2022 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSizes\u003cbr data-mce-fragment=\"1\"\u003e Large – 56” x 77” Unframed, 71” x 92” Framed – Edition of 20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStandard - 37” x 51” Unframed, 52” x 66” Framed - Edition of 20 \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo be able to incorporate the sign of Chateau Marmont in an image offers a great opportunity for a storyteller as it is perhaps the most notorious hotel in the world. If the walls of this grand old building on Sunset Boulevard could talk, they would offer a monologue of deliciously naughty tales to make us all ask whether we could have attacked life a little more hedonistically. If licentious behaviour was to be celebrated, the Chateau would host the evening. To tell a tale around this institution and be conservative in the creative processing would be a mistake; the location should be ex- ploited to the full. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis mid 70s styled picture, featuring the iconic Cindy Crawford, is a Chateau Marmont parable with a wry twist. In the UK we have many numbers of pubs called “The Fox and Hound” and here, arriving at the hotel entrance in LA, is the ultimate “Fox” - Cindy, with the most excited of hounds. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI remember that Sunday morning shoot well. Cindy looked fantastic and her team of Peter Savic (hair); Sam Visser (make up) and Nicole Allowitz (styling) are the best in the business, as of course is Cindy. I, as always with her, had the easy job and we were wrapped by 8.30 am, which, by all accounts, is only just after bed time at the Chateau. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":39673111150663,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Fox-and-Hound.jpg?v=1723755780"},{"product_id":"south-by-southwest-2023","title":"South by Southwest (2023)","description":"\u003cp\u003eAmboy, California - 2023\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLARGE \u003cbr data-mce-fragment=\"1\"\u003e56” x 81” Unframed 71” x 96” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003eSTANDARD\u003cbr data-mce-fragment=\"1\"\u003e37” x 54” Unframed 52” x 69” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHitchcock’s acclaimed 1959 espionage thriller - North by Northwest - has long being a prompt for me; especially the sequence in which the fleeing Cary Grant is chased down by the crop spraying plane. It was cinema ahead of its time and I admit to watching that sequence more times than would be considered normal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring COVID, we played on this storyline near my home in Devon, but in 2023 I drew up a more ambitious story that would be played out in the isolated desert community of Amboy, California. We had scouted the area intensely and knew our angles, our light and most of all the landowners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe premise was to style the set as if we were indeed in the late 1950s and we recognised that we had a strong backdrop, as Roy’s Cafe is one of the treasure trove authentic landmarks of Route 66. From Roy’s looking east, the Mother Road stretches straight to the horizon in a way that plays to\u003cbr data-mce-fragment=\"1\"\u003eour preconceptions of Americana road trips. We then brought in a 1953 Ferrari 250 MM Vignale Spyder\u003cbr data-mce-fragment=\"1\"\u003eas the lead car and dressed the background with a Ford pick-up from the late 1940s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut this was mere window dressing and my sense was that in order to transcend, this story required some heavyweight components. Flatteringly, Cindy Crawford agreed to be the main protagonist and I knew she would give Cary Grant a run for his money. Cindy is the best of the best and it is always a huge honour to work with her. Ascribe her a role and a look and she will nail it every time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut we also needed a plane. Amboy has a tiny runway strip and towards the end of the day, when the traffic is lighter, a good pilot can flirt with the tarmac of Route 66. I needed\u003cbr data-mce-fragment=\"1\"\u003ea pilot whom I could trust and I found him in Greg Caldwell, who slightly reminded me of the heroic crop spraying pilot from the movie Independence Day. We had worked with him before and there didn’t seem much to trouble Greg - not even his plane’s aerial proximity to a $10m Ferrari or, more importantly, one of the world’s most identifiable and revered women.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a film noir feel to the image and I think the relatively flat light helps the rather menacing mood. But the credit lies with both Greg and Cindy who did exactly what I asked them to do .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI guess we may have broken some new ground here as well as a few rules. The BTS video of this shot is worth seeing, it’s one of our better ones. ~ DAVID YARROW\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":40127804276807,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-South-by-Southwest-2023.png?v=1686954768"},{"product_id":"planes-trains-and-automobiles","title":"Planes, Trains and Automobiles","description":"\u003cp\u003eAmboy, California - 2023\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLARGE\u003cbr data-mce-fragment=\"1\"\u003e56” x 68” Unframed 71” x 83” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003eSTANDARD\u003cbr data-mce-fragment=\"1\"\u003e37” x 45” Unframed 52” x 60” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI think visiting a potential film location for the first time is akin to\u003cbr data-mce-fragment=\"1\"\u003ea first date or a first experience at an acclaimed restaurant. It is all so unfamiliar and there is no guide as to where to start. The sensory overload can be intimidating and it takes time to distill and be oneself. Most second dates are better than the first and those who like a restaurant on their first visit will tend to enjoy it even more on the second and so it goes on. If this wasn’t the case, the brain is not the organ we give it credit for being. We are all incremental learners and we enjoy and leverage familiarity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first time I visited this railway track in the hot Californian desert, I knew it had visual potential, especially if I shot late in the afternoon and directly against the light, but I needed a month or so to let the cocktail of what I could do marinate in my own mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMy predilection is to avoid the static or the mundane and planes, trains and cars in a still can look frozen. A plane defies gravity so that helps in a single image, but I knew the car and the train could not join it. I don’t envy Formula 1 photographers; it’s such a difficult sport to take stills of. My visual leaning was to have a sense of movement elsewhere and that’s where the idea of dust being kicked up from railway workers offered a solution. The light would be my partner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnce the premise is there, it is about scalpel sharp precision in the detail. Let’s not have any car - let’s have a vintage 1953 Ferrari and let’s not have any girl holding the image together, let’s have Cindy Crawford - perhaps America’s most loved and celebrated model.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe styling in this shot was excellent and I thank Nicole Allowitz for being so good at her craft. This photograph is as much a testament to her as it is to me. The railway workers are so on point, as, of course, is Cindy. She is a given.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt is possible that some of my work over the last 10 years - particularly with wildlife - has been imitated and filmmakers have every right to do so. I celebrate a good picture like everyone else and there are some very able cameramen out there. But I don’t think this photograph is going to be imitated in a hurry and this gives me a little smile. ~ DAVID YARROW\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":40127804571719,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Planes-Trains-and-Automobiles_f5438164-3e45-42db-8010-af7776992e96.png?v=1727125016"},{"product_id":"sin-city","title":"Sin City","description":"Joshua Tree, California - 2023\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLARGE\u003cbr data-mce-fragment=\"1\"\u003e56” x 84” Unframed 71” x 99” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003eSTANDARD\u003cbr data-mce-fragment=\"1\"\u003e37” x 56” Unframed 52” x 71” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoshua Tree National Park, to the south east of Los Angeles, offers a unique visual canvas on which to tell stories. The rock formations and the trees make it a most distinctive playground for the filmmaker. An added bonus is that whilst the main roads through the park boast modern tarmac surfaces, there are some wonderfully timeless single lane dust tracks cutting through the scorched terrain.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn our early morning scouting trips to Joshua Tree, these dust roads were the focus of our attention, because a road often offers the lead component around which to build a story. I found a spot that, when looking west in the early morning light, offered so much, including the disconnect of snow on the distant mountain.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowever, we were thrown a curve ball by the light. As many who have travelled to Joshua Tree will testify, the visuals are at their best within an hour of sunrise and an hour of sunset. This meant a 3.30 am start for Cindy Crawford and her team in order for her to be on set by 6 am and she is known for her punctuality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMy narrative was simply that a girl returning from Vegas, has either run out of money, run out of fuel, or both, but despite this misfortune, she cuts a figure of lackadaisical, carefree sexuality. It may, of course, have been those attributes that drew her to Sin City in the first place, but that is for the viewer to interpret. I can only show, not tell.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI like to shoot with an historic period in mind rather than in the modern day as it adds another layer to a still photograph. The abandoned Ford pick-up truck certainly takes us back in time and the Willie Nelson T-Shirt homes in on an 80s vibe.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCindy Crawford is a remarkable woman and we both love this photograph. ~ David Yarrow","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":40127806341191,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Sin-City.jpg?v=1727125029"},{"product_id":"roy-s","title":"Roy’s","description":"Amboy, California - 2023\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLARGE \u003cbr data-mce-fragment=\"1\"\u003e57” x 56” Unframed 72” x 71” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003eSTANDARD\u003cbr data-mce-fragment=\"1\"\u003e38” x 37” Unframed 53” x 52” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis photograph of Cindy Crawford, walking on Route 66 in front of a landmark 1950s motel, smells of Americana and that, of course, was my intent. We were not able to close the road down and had to wing it slightly at the end of the day, but “stolen” images are often the best.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere are many constituent parts to this image and I am, as usual, reminded again, just how good our respective teams are when working under pressure. Not only is it 100 degrees outside; we are on a main road deep in the Californian desert and there are tourists swarming the area around Roy’s not quite believing their luck at seeing Cindy and yet we managed to pull this off. Just a fraction of a second, but that is all it takes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt was a 20-hour day that day, but one of the best we have had together and a huge amount of the credit goes to our production teams. It’s the small things like Cindy’s hair that make such a difference to this photograph and the forecourt of Roy’s is no studio, it’s a working gas station. I raise my glass to Cindy’s hair stylist - the legend that is Peter Savic. I know working in an arid and sometimes windy desert is not his preferred environment, but he is a total professional.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe perspective offered by a standard lens is pleasing to the human eye as that is what we are used to day in day out; the camera lens sees what we see. But there are challenges in this frame as I needed to include both her feet and the Roy’s sign and yet I could not afford for her face to be too far from the camera. Only a few angles were going to work and then we also had the props behind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut she knows exactly what she is doing and how to help me with my job. That’s why she is who she is. ~ DAVID YARROW","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":40127807684679,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Roys.jpg?v=1727125043"},{"product_id":"breaking-bad","title":"Breaking Bad","description":"Joshua Tree, California - 2023\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLARGE\u003cbr data-mce-fragment=\"1\"\u003e48” x 103” Unframed 63” x 118” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003eSTANDARD\u003cbr data-mce-fragment=\"1\"\u003e32” x 69” Unframed 47” x 84” Framed Edition of 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt has taken many years to capture a photograph strong enough to be worthy of the name Breaking Bad. Some have come close and we do regularly work with people who dance on the edge of permitted behaviour, but we held out looking for the perfect picture. Breaking Bad was an epic, game changing series and anything that borrows the name must be visually appropriate as well as eye grabbing and powerful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI had long sensed that the concept of filming with Cindy Crawford in a Californian Biker Bar had potential, especially if the bikers had a palpable sense of menace and trouble. I knew that she could more than hold her own in playing bad ass and therefore there could be unity across the ensemble, irrespective of the apparent rogue member. I need a collective, not six or seven individuals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe interior of Joshua Tree Saloon in the town of the same name, offered a great canvas on which to paint this story and as always there was a jeweller’s eye attention to detail. I required as much information in one frame as possible and this demanded that I use width rather than height.\u003cbr data-mce-fragment=\"1\"\u003eWhen I saw the result, I sensed I had my Breaking Bad shot. There is nothing I would change in it and I think Bryan Cranston et al would feel rather at home in the saloon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere seems little appetite for cultural refinement or mundane conversation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCindy excels at this kind of work and it is always a privilege to work with her. She absolutely smashed the role I asked her to play that day and now we have the long sought after picture. ~ David Yarrow","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":40160739360839,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Breaking-Bad.png?v=1692829943"},{"product_id":"unforgiven","title":"UNFORGIVEN","description":"\u003cp\u003eMontana, USA - 2020\u003c\/p\u003e\n\u003cp\u003eAvailable Sizes (Framed Size)\u003cbr\u003eLarge: 65” x 116”\u003cbr\u003eStandard: 47” x 80”\u003cbr\u003eAvailable Editions\u003cbr\u003eLarge: Edition of 20\u003cbr\u003eStandard: Edition of 20\u003c\/p\u003e\n\u003cp\u003eWhen Cindy Crawford made her iconic Pepsi advert in 1992 for the Superbowl and then repeated it again in 2018, there were a few other constants as well as the model herself - most notably Peter Savic, one of the most celebrated hair stylists in the world. His client roster reads like the ultimate A list in Hollywood. Looking at his CV it would be quicker to mention who he hasn’t worked with.\u003c\/p\u003e\n\u003cp\u003eI had never had the fortune to work with Peter before but my brief time with him in Eastern Montana gave an insight into his genius. I gave him a rather clumsy articulation of the narrative I was looking for in this outdoor shot in freezing temperatures near Ingomar, a tiny hamlet with a population of just 15. We were about as far removed from controlled studio conditions in Hollywood as you could conceive. I think I simply said that Cindy would be carrying a shotgun and with it a look of intent. Twenty minutes later Cindy bounced out of the car with an extravagant Raquel Welch 1960s big hair look that was spot on for what I had in mind.\u003c\/p\u003e\n\u003cp\u003eAfter that my job was easy - to shoot as quickly as possible so that our lead would not get too cold. The trick is simply to have no doubt in one’s mind of the composition and believe firmly in the narrative embodied in the preconception. It’s a bit like a golf shot (not that I would know), you make up your mind and go for it. My storyline was that Cindy and her troop were the deliverers of frontier justice - whatever way that may come. I guess there is a slight nod to Tarantino in the vignette.\u003c\/p\u003e\n\u003cp\u003eIt worked and this was certainly a team effort.\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":40826767933511,"sku":"","price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-UNFORGIVEN.jpg?v=1743281663"}],"url":"https:\/\/sorrelsky.com\/collections\/cindy-crawford-david-yarrow.oembed?page=2","provider":"Sorrel Sky Gallery","version":"1.0","type":"link"}