{"title":"DAVID YARROW NEW RELEASES","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/2026_Yarrow_Bio.pdf?v=1763068726\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan class=\"s1\"\u003eDavid Yarrow Biography\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"stratton-oakmont-colour","title":"STRATTON OAKMONT - Colour","description":"\u003cp\u003eWEST PALM BEACH, FLORIDA - 2025\u003c\/p\u003e\n\u003cp\u003eStandard\u003cbr\u003e32” x 77” Unframed\u003cbr\u003e47” x 92” Framed\u003cbr\u003eEdition of 20\u003c\/p\u003e\n\u003cp\u003eLarge\u003cbr\u003e43” x 103” Unframed\u003cbr\u003e58” x 118” Framed\u003cbr\u003eEdition of 20\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003cbr\u003eA percentage of proceeds to benefit Big Dog Rescue Ranch.\u003c\/p\u003e\n\u003cp\u003eThere was a time in Wall Street, and indeed the City of London, when the moral and ethical compass was not just temporarily misplaced, it was firmly lost. It was an era expertly captured in both Oliver Stone’s Wall Street and Martin Scorsese’s The Wolf of Wall Street. These two masterful storytellers happily fed on an implausibly good menu of vice, debauchery and excess. The astonishing reality is that these were not stories of fiction - they were - in large parts, factual.\u003c\/p\u003e\n\u003cp\u003eI started work on an equity dealing floor in London in 1988, so I speak with a little authority when suggesting that not everything that went on at Stratton Oakmont was peculiar to that unhinged assembly of misfits. The 1980s were the Wild West and dealing rooms were the playgrounds of hard partying adrenalin junkies who believed that life was very much for living. It was a corporate Babylon.\u003c\/p\u003e\n\u003cp\u003eOf course, serious business was going on, but so also was a great deal of monkey business. Those looking for a profession that rewarded frat house behaviour were attracted to the big investment banking dealing rooms. It was one big ride in the late 1980s and early 1990s and both men and women were complicit. Management unashamedly employed attractive and outgoing girls on their sales teams; it was seen as smart business practice. \u003c\/p\u003e\n\u003cp\u003eIn the new millennium, the subprime crisis and enlightened thought stopped the party and now we are left with mere memories of a time when greed was good, when “rookie numbers” were rookie numbers and expense accounts and compliance were seriously out of control. But I am not sure how much everyone remembers - it’s all a bit of a haze.\u003c\/p\u003e\n\u003cp\u003eI would like to thank Jordan Belfort (The Wolf of Wall Street) for collaborating with me on this project.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41683379945543,"sku":"","price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-STRATTON-OAKMONT-Colour.png?v=1747774459"},{"product_id":"stratton-oakmont-bw","title":"STRATTON OAKMONT - B\u0026W","description":"\u003cp\u003eWEST PALM BEACH, FLORIDA - 2025\u003c\/p\u003e\n\u003cp\u003eStandard\u003cbr\u003e32” x 77” Unframed\u003cbr\u003e47” x 92” Framed\u003cbr\u003eEdition of 20\u003c\/p\u003e\n\u003cp\u003eLarge\u003cbr\u003e43” x 103” Unframed\u003cbr\u003e58” x 118” Framed\u003cbr\u003eEdition of 20\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003cbr\u003eA percentage of proceeds to benefit Big Dog Rescue Ranch.\u003c\/p\u003e\n\u003cp\u003eThere was a time in Wall Street, and indeed the City of London, when the moral and ethical compass was not just temporarily misplaced, it was firmly lost. It was an era expertly captured in both Oliver Stone’s Wall Street and Martin Scorsese’s The Wolf of Wall Street. These two masterful storytellers happily fed on an implausibly good menu of vice, debauchery and excess. The astonishing reality is that these were not stories of fiction - they were - in large parts, factual.\u003c\/p\u003e\n\u003cp\u003eI started work on an equity dealing floor in London in 1988, so I speak with a little authority when suggesting that not everything that went on at Stratton Oakmont was peculiar to that unhinged assembly of misfits. The 1980s were the Wild West and dealing rooms were the playgrounds of hard partying adrenalin junkies who believed that life was very much for living. It was a corporate Babylon.\u003c\/p\u003e\n\u003cp\u003eOf course, serious business was going on, but so also was a great deal of monkey business. Those looking for a profession that rewarded frat house behaviour were attracted to the big investment banking dealing rooms. It was one big ride in the late 1980s and early 1990s and both men and women were complicit. Management unashamedly employed attractive and outgoing girls on their sales teams; it was seen as smart business practice. \u003c\/p\u003e\n\u003cp\u003eIn the new millennium, the subprime crisis and enlightened thought stopped the party and now we are left with mere memories of a time when greed was good, when “rookie numbers” were rookie numbers and expense accounts and compliance were seriously out of control. But I am not sure how much everyone remembers - it’s all a bit of a haze.\u003c\/p\u003e\n\u003cp\u003eI would like to thank Jordan Belfort (The Wolf of Wall Street) for collaborating with me on this project.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41683380305991,"sku":null,"price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-STRATTON-OAKMONT-BW.png?v=1747774471"},{"product_id":"age-is-just-a-number-colour","title":"AGE IS JUST A NUMBER - Colour","description":"\u003cp\u003eJUPITER, FLORIDA - 2025\u003c\/p\u003e\n\u003cp\u003eStandard\u003cbr\u003e33” x 69” Unframed 48” x 84” Framed\u003cbr\u003eEdition of 20\u003c\/p\u003e\n\u003cp\u003eLarge\u003cbr\u003e50” x 103” Unframed 65” x 118” Framed\u003cbr\u003eEdition of 20\u003cbr\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eGolf and Wall Street have always been closely connected. Club Memberships are often coveted and require decent salaries and social standing and then the weekend’s golf game can provide levity\u003cbr\u003eto dealing room banter on a Monday morning. Meanwhile, Pro-Am charity golf days offer the chance for high rolling stockbrokers and asset managers to spend a few hours with someone they normally only see on a PGA leaderboard. The pros give the Wall Street types some shots, some stories and some tips and everyone goes away happy, with money raised for a good cause. It’s all fairly standard stuff.\u003c\/p\u003e\n\u003cp\u003eBut this matchup between nine times Major winner - Gary Player - and the infamous Wolf of Wall Street - Jordan Belfort and his entourage - looks a little spicier. For one thing, Mr Player is a man of principle who chooses his company carefully and then Mr Belfort is a competitive man who does not take kindly to be being shown up by a gentleman in his 90th year on the planet; it is not on brand. He wanted to impress the girls and not get his ass kicked.\u003c\/p\u003e\n\u003cp\u003eThe juxtaposition of these two individuals offered the premise for a photograph that would merit a second look and that is always a good starting point for me.\u003c\/p\u003e\n\u003cp\u003eOf course there was only winner on the day. Gary Player is living proof that age is just a number and we are all humbled by his fitness and, of course, his golf game. He is as good a talker as Jordan and better still, most of his stories are child friendly.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41683392430151,"sku":"","price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-AGE-IS-JUST-A-NUMBER-Colour.png?v=1747860835"},{"product_id":"age-is-just-a-number-b-w","title":"AGE IS JUST A NUMBER - B\u0026W","description":"\u003cp\u003eJUPITER, FLORIDA - 2025\u003c\/p\u003e\n\u003cp\u003eStandard\u003cbr\u003e33” x 69” Unframed 48” x 84” Framed\u003cbr\u003eEdition of 20\u003c\/p\u003e\n\u003cp\u003eLarge\u003cbr\u003e50” x 103” Unframed 65” x 118” Framed\u003cbr\u003eEdition of 20\u003cbr\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eGolf and Wall Street have always been closely connected. Club Memberships are often coveted and require decent salaries and social standing and then the weekend’s golf game can provide levity\u003cbr\u003eto dealing room banter on a Monday morning. Meanwhile, Pro-Am charity golf days offer the chance for high rolling stockbrokers and asset managers to spend a few hours with someone they normally only see on a PGA leaderboard. The pros give the Wall Street types some shots, some stories and some tips and everyone goes away happy, with money raised for a good cause. It’s all fairly standard stuff.\u003c\/p\u003e\n\u003cp\u003eBut this matchup between nine times Major winner - Gary Player - and the infamous Wolf of Wall Street - Jordan Belfort and his entourage - looks a little spicier. For one thing, Mr Player is a man of principle who chooses his company carefully and then Mr Belfort is a competitive man who does not take kindly to be being shown up by a gentleman in his 90th year on the planet; it is not on brand. He wanted to impress the girls and not get his ass kicked.\u003c\/p\u003e\n\u003cp\u003eThe juxtaposition of these two individuals offered the premise for a photograph that would merit a second look and that is always a good starting point for me.\u003c\/p\u003e\n\u003cp\u003eOf course there was only winner on the day. Gary Player is living proof that age is just a number and we are all humbled by his fitness and, of course, his golf game. He is as good a talker as Jordan and better still, most of his stories are child friendly.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41683393052743,"sku":null,"price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-AGE-IS-JUST-A-NUMBER-BW.png?v=1747860848"},{"product_id":"summer-holiday","title":"Summer Holiday","description":"\u003cp\u003eNaples, Italy, 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 54” Unframed; 52” x 69” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 82” Unframed; 71” x 97” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThe Grand Hotel Parker’s in Napoli is the city’s oldest luxury hotel dating back to 1870. Its original owner succumbed to gambling issues and, in 1890, it was bought by a regular guest - a British marine biologist called George Parker. Presumably he rather liked the view of the ocean. \u003c\/p\u003e\n\u003cp\u003eCertainly, as hotel views go, Parker’s takes some beating from its balcony floor. There is a perfect outlook to the city, Vesuvius and the Bay of Naples and then, as one’s head turns clockwise to 2 pm, there, in all its splendour, amidst the azure sea, is the fabled island of Capri. We have all seen many contextual photographs of this storied summer paradise, but I had not seen one taken from the mainland at this elevation. I spotted an opportunity. \u003c\/p\u003e\n\u003cp\u003eAlessandra Ambrosio is one of the leading supermodels of her generation and she took to this role at Parker’s with the playful ease that is her hallmark. I thought it would be fun to have her eat pasta.  Afterall, we were where we were. \u003c\/p\u003e\n\u003cp\u003eThe chefs at Parker’s are lauded and they can make 5-star spaghetti alle vongole blindfold and drunk. That prop was never going to be a challenge. I just needed to find some compositional balance in the frame and a sunbed to complement Capri away in the distance.\u003c\/p\u003e\n\u003cp\u003eThis region of Italy is a very special part of the world. The topography, the islands, the sea, the food, the people and the culture combine to offer the perfect holiday.  To not find it totally intoxicating suggests a lack of some sort of sensibility, either that, or an allergy to pasta and boats. It is the perfect summer holiday.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702557548615,"sku":"","price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Summer-Holiday.jpg?v=1748552066"},{"product_id":"summer-holiday-colour","title":"Summer Holiday - Colour","description":"\u003cp\u003eNaples, Italy, 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 54” Unframed; 52” x 69” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 82” Unframed; 71” x 97” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThe Grand Hotel Parker’s in Napoli is the city’s oldest luxury hotel dating back to 1870. Its original owner succumbed to gambling issues and, in 1890, it was bought by a regular guest - a British marine biologist called George Parker. Presumably he rather liked the view of the ocean. \u003c\/p\u003e\n\u003cp\u003eCertainly, as hotel views go, Parker’s takes some beating from its balcony floor. There is a perfect outlook to the city, Vesuvius and the Bay of Naples and then, as one’s head turns clockwise to 2 pm, there, in all its splendour, amidst the azure sea, is the fabled island of Capri. We have all seen many contextual photographs of this storied summer paradise, but I had not seen one taken from the mainland at this elevation. I spotted an opportunity. \u003c\/p\u003e\n\u003cp\u003eAlessandra Ambrosio is one of the leading supermodels of her generation and she took to this role at Parker’s with the playful ease that is her hallmark. I thought it would be fun to have her eat pasta.  Afterall, we were where we were. \u003c\/p\u003e\n\u003cp\u003eThe chefs at Parker’s are lauded and they can make 5-star spaghetti alle vongole blindfold and drunk. That prop was never going to be a challenge. I just needed to find some compositional balance in the frame and a sunbed to complement Capri away in the distance.\u003c\/p\u003e\n\u003cp\u003eThis region of Italy is a very special part of the world. The topography, the islands, the sea, the food, the people and the culture combine to offer the perfect holiday.  To not find it totally intoxicating suggests a lack of some sort of sensibility, either that, or an allergy to pasta and boats. It is the perfect summer holiday.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702557909063,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Summer-Holiday-Colour.jpg?v=1748552076"},{"product_id":"the-italian-job","title":"The Italian Job","description":"\u003cp\u003eProcida, Italy, 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 70” Unframed; 52” x 85” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e54” x 103” Unframed; 69” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIn Roman times, the island of Procida, in the Bay of Naples, became a renowned resort for the patrician class of Rome. Over time, however, industry replaced leisure and Procida became a shipbuilding hub and, at one point in the 18th century, over 17,000 shipbuilders were employed on the tiny island. That compares with a total population today of 10,000.\u003c\/p\u003e\n\u003cp\u003eShipbuilding faded here in the last century, but it does remain a place of boats - small islands without airports tend to be that way. In the making of Antony and Cleopatra, with Richard Burton and Elizabeth Taylor, Cleopatra’s barge was filmed against the timeless harbour in the island. It is very difficult to put an age on any building here, which presumably was why the producers were drawn to Procida and neighbouring Ischia.\u003c\/p\u003e\n\u003cp\u003eThe long thin multi coloured harbour is one of the most visually captivating sights in southern Italy. It certainly makes for a good backdrop and my leaning was to film at dusk so that we could add some energy from the house lights in town. This strategy always tests camera capability, and indeed the cameraman, and most of the photographs don’t stack up, but I consider it better than playing safe during normal daylight hours. All you really need is one shot.\u003c\/p\u003e\n\u003cp\u003eAlessandra Ambrosio and the Riva work well together, she has an elegance and allure that Elizabeth Taylor would have appreciated.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702640353351,"sku":"","price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Italian-Job.jpg?v=1748552091"},{"product_id":"the-italian-job-colour","title":"The Italian Job - Colour","description":"\u003cp\u003eProcida, Italy, 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 70” Unframed; 52” x 85” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e54” x 103” Unframed; 69” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIn Roman times, the island of Procida, in the Bay of Naples, became a renowned resort for the patrician class of Rome. Over time, however, industry replaced leisure and Procida became a shipbuilding hub and, at one point in the 18th century, over 17,000 shipbuilders were employed on the tiny island. That compares with a total population today of 10,000.\u003c\/p\u003e\n\u003cp\u003eShipbuilding faded here in the last century, but it does remain a place of boats - small islands without airports tend to be that way. In the making of Antony and Cleopatra, with Richard Burton and Elizabeth Taylor, Cleopatra’s barge was filmed against the timeless harbour in the island. It is very difficult to put an age on any building here, which presumably was why the producers were drawn to Procida and neighbouring Ischia.\u003c\/p\u003e\n\u003cp\u003eThe long thin multi coloured harbour is one of the most visually captivating sights in southern Italy. It certainly makes for a good backdrop and my leaning was to film at dusk so that we could add some energy from the house lights in town. This strategy always tests camera capability, and indeed the cameraman, and most of the photographs don’t stack up, but I consider it better than playing safe during normal daylight hours. All you really need is one shot.\u003c\/p\u003e\n\u003cp\u003eAlessandra Ambrosio and the Riva work well together, she has an elegance and allure that Elizabeth Taylor would have appreciated.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702640451655,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Italian-Job-Colour.jpg?v=1748609252"},{"product_id":"bellissimo","title":"Bellissimo","description":"\u003cp\u003eNAPLES, ITALY - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 57” Unframed; 52” x 72” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 87” Unframed; 71” x 102” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eNeapolitans are intensely proud people - “Vedi Napoli e poi muori” goes the local proverb (see Napoli and die). That pride is well deserved given the city’s unique well-worn beauty, the visual splendour of Vesuvius and the Bay of Naples and then the palpable sense of community that has been consistently nurtured generation after generation. Throw in the archaeological treasure trove of Pompeii, culinary preeminence, Diego Maradona and Napoli FC and this is an ancient city that never stops giving.\u003c\/p\u003e\n\u003cp\u003eLike being Texan, being Neapolitan assures a certain state of mind, but unlike Texas, that state of mind may have been on offer for 3000 years. The area has been continuously inhabited since 1000 BC - one of the oldest such cases in the world - and this has probably worked against radical urban redevelopment. I sense that there has never been a real window of opportunity to establish modernity and the reward is what we can now all see.\u003c\/p\u003e\n\u003cp\u003eUndeniably poor in parts, and chaotic almost everywhere, Napoli is raw and untamed, but that is what makes it artistically captivating. What the inner city lacks in serenity, it makes up for in adrenalin. Driving a car here is a combative Olympic sport, not just a means of getting from A to B.\u003c\/p\u003e\n\u003cp\u003eIn filtering down to what is truly core to the city, I sense that two constituents simply cannot be removed - food and football. That is not to say that the other associations are emphatically weaker, but these two are surely integral to the fabric of the Paris of the South.\u003c\/p\u003e\n\u003cp\u003eI was fortunate to be working in town last Friday when Napoli FC landed the Serie A title for the 4th time in the club’s history. Forza Napoli and Forza Scott McTominay. And it was also a treat to work with Alessandra Ambrosio, who despite huge fame, has never really changed at all.\u003c\/p\u003e\n\u003cp\u003eThere have been many photographs taken in the Bay of Naples of girls eating pasta over the years and I wanted a fresh composition. This image of the celebrated Alessandra Ambrosio eating vongole on the roof of the famous Grand Hotel Parker’s has a definite sense of place for sure.\u003c\/p\u003e\n\u003cp\u003eIt’s always the small things and I like the one glass in this shot - the most notorious volcano in the world and we get to see it twice in one frame.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702643138631,"sku":"","price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Bellissimo.jpg?v=1748552107"},{"product_id":"bellissimo-colour","title":"Bellissimo - Colour","description":"\u003cp\u003eNAPLES, ITALY - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 57” Unframed; 52” x 72” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 87” Unframed; 71” x 102” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eNeapolitans are intensely proud people - “Vedi Napoli e poi muori” goes the local proverb (see Napoli and die). That pride is well deserved given the city’s unique well-worn beauty, the visual splendour of Vesuvius and the Bay of Naples and then the palpable sense of community that has been consistently nurtured generation after generation. Throw in the archaeological treasure trove of Pompeii, culinary preeminence, Diego Maradona and Napoli FC and this is an ancient city that never stops giving.\u003c\/p\u003e\n\u003cp\u003eLike being Texan, being Neapolitan assures a certain state of mind, but unlike Texas, that state of mind may have been on offer for 3000 years. The area has been continuously inhabited since 1000 BC - one of the oldest such cases in the world - and this has probably worked against radical urban redevelopment. I sense that there has never been a real window of opportunity to establish modernity and the reward is what we can now all see.\u003c\/p\u003e\n\u003cp\u003eUndeniably poor in parts, and chaotic almost everywhere, Napoli is raw and untamed, but that is what makes it artistically captivating. What the inner city lacks in serenity, it makes up for in adrenalin. Driving a car here is a combative Olympic sport, not just a means of getting from A to B.\u003c\/p\u003e\n\u003cp\u003eIn filtering down to what is truly core to the city, I sense that two constituents simply cannot be removed - food and football. That is not to say that the other associations are emphatically weaker, but these two are surely integral to the fabric of the Paris of the South.\u003c\/p\u003e\n\u003cp\u003eI was fortunate to be working in town last Friday when Napoli FC landed the Serie A title for the 4th time in the club’s history. Forza Napoli and Forza Scott McTominay. And it was also a treat to work with Alessandra Ambrosio, who despite huge fame, has never really changed at all.\u003c\/p\u003e\n\u003cp\u003eThere have been many photographs taken in the Bay of Naples of girls eating pasta over the years and I wanted a fresh composition. This image of the celebrated Alessandra Ambrosio eating vongole on the roof of the famous Grand Hotel Parker’s has a definite sense of place for sure.\u003c\/p\u003e\n\u003cp\u003eIt’s always the small things and I like the one glass in this shot - the most notorious volcano in the world and we get to see it twice in one frame.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702643564615,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Bellissimo-Colour.jpg?v=1748552115"},{"product_id":"a-room-with-a-view","title":"A Room with a View","description":"\u003cp\u003eATRANI, ITALY - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 59” Unframed; 52” x 74” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 89” Unframed; 71” x 104” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIf locations had the right to be called “heaven on earth”, then the Amalfi Coast would fancy its chances of owning it and not being mocked. There are not many places I know that can get away with that. The timeless beauty and dramatic location of communities such as Atrani are well known; the dramatic peninsula attracts five million visitors a year despite car journeys that are not for the faint hearted. This is no secret garden. \u003c\/p\u003e\n\u003cp\u003eMaking this photograph of the generational supermodel Alessandra Ambrosio in Atrani needed some thought.  It was a good premise, with some world class constituents, but we could not afford to be creatively lame.\u003c\/p\u003e\n\u003cp\u003eWe knew a modest B\u0026amp;B with one room whose balcony had the right view of Atrani. But my sense was that it needed an extra variable to give that emphatic sense of place.  My leaning was to construct a lemon grove - as the fruit is symbolic of the region.  In the Bay of Naples, lemons are Jurassic; almost as if they have evolved differently from everywhere else and when they come together on a grove, it offers a visual feast. \u003c\/p\u003e\n\u003cp\u003eThis was not an easy set and the people who made it happen were the locals of Atrani: the Mayor; the Chief of Police; the landlord and the lemon gardener. It was a true team effort. There is such a sense of community here and that is what makes the Amalfi Coast truly special. The hilltop scenery, the azure sea, the food and the wine all transcend at some level, but it’s the people living and working behind Alessandra in this photograph who make the location so special.\u003c\/p\u003e\n\u003cp\u003eIt is a “Room with a view” - a view of a proper community.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702677020743,"sku":"","price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-A-Room-with-a-View.jpg?v=1748552122"},{"product_id":"a-room-with-a-view-colour","title":"A Room with a View - Colour","description":"\u003cp\u003eATRANI, ITALY - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 59” Unframed; 52” x 74” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 89” Unframed; 71” x 104” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIf locations had the right to be called “heaven on earth”, then the Amalfi Coast would fancy its chances of owning it and not being mocked. There are not many places I know that can get away with that. The timeless beauty and dramatic location of communities such as Atrani are well known; the dramatic peninsula attracts five million visitors a year despite car journeys that are not for the faint hearted. This is no secret garden. \u003c\/p\u003e\n\u003cp\u003eMaking this photograph of the generational supermodel Alessandra Ambrosio in Atrani needed some thought.  It was a good premise, with some world class constituents, but we could not afford to be creatively lame.\u003c\/p\u003e\n\u003cp\u003eWe knew a modest B\u0026amp;B with one room whose balcony had the right view of Atrani. But my sense was that it needed an extra variable to give that emphatic sense of place.  My leaning was to construct a lemon grove - as the fruit is symbolic of the region.  In the Bay of Naples, lemons are Jurassic; almost as if they have evolved differently from everywhere else and when they come together on a grove, it offers a visual feast. \u003c\/p\u003e\n\u003cp\u003eThis was not an easy set and the people who made it happen were the locals of Atrani: the Mayor; the Chief of Police; the landlord and the lemon gardener. It was a true team effort. There is such a sense of community here and that is what makes the Amalfi Coast truly special. The hilltop scenery, the azure sea, the food and the wine all transcend at some level, but it’s the people living and working behind Alessandra in this photograph who make the location so special.\u003c\/p\u003e\n\u003cp\u003eIt is a “Room with a view” - a view of a proper community.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702677577799,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-A-Room-with-a-View-Colour.jpg?v=1748609308"},{"product_id":"the-girl-on-the-vespa","title":"The Girl on the Vespa","description":"\u003cp\u003ePROCIDA, ITALY - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 41” Unframed; 52” x 56” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 62” Unframed; 71” x 77” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThe timeless island of Procida, in the Bay of Naples, has caught the eye of film directors of stature. Anthony Minghella was drawn to it and made full use of it in The Talented Mr Ripley and in the same era, Il Postino: The Postman was shot almost entirely on the island.\u003c\/p\u003e\n\u003cp\u003eI like the island, not just for its worn facades or the artisan life that defines it, but because there is a strong sense of place in almost every location. The still camera can capture that vibe in a single frame, which is quite rare and always encourages me. \u003c\/p\u003e\n\u003cp\u003eThis little street - used by Minghella - caught my eye because the camera lens must point up as the road is on a steep slope. This allows for a wider narrative behind the subject and if we travel to somewhere as special as Procida, we want to include as much context as possible. A road with a steep incline is almost always good news.\u003c\/p\u003e\n\u003cp\u003eIn the first 58 years of my life, I never traveled to Procida and then, in the space of eight months, I went there five times. Someone tracking my movements - and thankfully I don’t think anyone is bored enough or interested enough to do so - would suspect something was up. They would be right, though it was nothing more than a new obsession - like a dog with a new bone. I knew there was stuff to do here, and I needed to let it all soak in.\u003c\/p\u003e\n\u003cp\u003eAlessandra Ambrosio nailed her role as \"The girl on the vespa”, but this was far from her first rodeo, and even at 06.20 am she looks too good to be true. Everything else was intuitive - including, of course, a Maradona shirt on the laundry line. That shirt is part of every street in the Bay of Naples.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702682361927,"sku":"","price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Girl-on-the-Vespa.jpg?v=1748552150"},{"product_id":"the-girl-on-the-vespa-colour","title":"The Girl on the Vespa - Colour","description":"\u003cp\u003ePROCIDA, ITALY - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e37” x 41” Unframed; 52” x 56” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e56” x 62” Unframed; 71” x 77” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThe timeless island of Procida, in the Bay of Naples, has caught the eye of film directors of stature. Anthony Minghella was drawn to it and made full use of it in The Talented Mr Ripley and in the same era, Il Postino: The Postman was shot almost entirely on the island.\u003c\/p\u003e\n\u003cp\u003eI like the island, not just for its worn facades or the artisan life that defines it, but because there is a strong sense of place in almost every location. The still camera can capture that vibe in a single frame, which is quite rare and always encourages me. \u003c\/p\u003e\n\u003cp\u003eThis little street - used by Minghella - caught my eye because the camera lens must point up as the road is on a steep slope. This allows for a wider narrative behind the subject and if we travel to somewhere as special as Procida, we want to include as much context as possible. A road with a steep incline is almost always good news.\u003c\/p\u003e\n\u003cp\u003eIn the first 58 years of my life, I never traveled to Procida and then, in the space of eight months, I went there five times. Someone tracking my movements - and thankfully I don’t think anyone is bored enough or interested enough to do so - would suspect something was up. They would be right, though it was nothing more than a new obsession - like a dog with a new bone. I knew there was stuff to do here, and I needed to let it all soak in.\u003c\/p\u003e\n\u003cp\u003eAlessandra Ambrosio nailed her role as \"The girl on the vespa”, but this was far from her first rodeo, and even at 06.20 am she looks too good to be true. Everything else was intuitive - including, of course, a Maradona shirt on the laundry line. That shirt is part of every street in the Bay of Naples.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41702682951751,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Girl-on-the-Vespa-Colour.jpg?v=1748609352"},{"product_id":"hotel-bond-b-w","title":"HOTEL BOND - B\u0026W","description":"\u003cp\u003eFURKA PASS, SWITZERLAND - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 67” Unframed; 52” x 82” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e56” x 101” Unframed; 71” x 116” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eNo film franchise has enhanced the fame of specific locations more than Bond. To be the backdrop narrative to a sequence in a Bond movie - no matter how dated - bestows heavyweight status on the map coordinates. It is product placement at its most acute level. \u003c\/p\u003e\n\u003cp\u003eIn 1964, Goldfinger, the second 007 movie, was released and, in retrospect, it was the key to the franchise. The movie recouped its investment in just two weeks and is still cited as the film that established many of the iconic elements and tropes of Bond movies. For many aficionados, Goldfinger is THE Bond movie - Rotten Tomatoes - the exacting review aggregation website, score it at 99%.\u003c\/p\u003e\n\u003cp\u003eGoldfinger rammed home the Box Office of Sean Connery and brought names like Oddjob and Pussy Galore into our lives. It also made famous the hairpin bends of the Furka Pass in Switzerland and the quintessential Belle Époque buildings lining its route. The jewel in the crown of these is the iconic Belvedere Hotel - which sits precisely on the inside of one of the hairpins. It is an Alpine monument to the glittering days of the Swiss hotel industry in the late 19th century. \u003c\/p\u003e\n\u003cp\u003eI do not like driving, or even being driven, on mountain pass roads - especially ones with token barriers accompanying 3000-foot drops. Bond may have enjoyed his car chase on this road, but I am no Bond and this project certainly reminded me that I have some embarrassing vertigo issues.\u003c\/p\u003e\n\u003cp\u003eThe Furka pass is inaccessible until late May and, given my leaning to film with as much snow in the backdrop as possible, this was always going to be an early June shoot. The Belvedere Hotel is long closed for business and I want to thank the owners for allowing to us to open the shutters and somehow put some lights on. I am sure Wes Anderson would have done the same and it did make all the difference. \u003c\/p\u003e\n\u003cp\u003eIf there was ever to be a Bond Hotel - I think it should be here. ~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41768440889415,"sku":"","price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-HOTEL-BOND-BW.jpg?v=1750366454"},{"product_id":"hotel-bond-colour","title":"HOTEL BOND - Colour","description":"\u003cp\u003eFURKA PASS, SWITZERLAND - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 67” Unframed; 52” x 82” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e56” x 101” Unframed; 71” x 116” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eNo film franchise has enhanced the fame of specific locations more than Bond. To be the backdrop narrative to a sequence in a Bond movie - no matter how dated - bestows heavyweight status on the map coordinates. It is product placement at its most acute level. \u003c\/p\u003e\n\u003cp\u003eIn 1964, Goldfinger, the second 007 movie, was released and, in retrospect, it was the key to the franchise. The movie recouped its investment in just two weeks and is still cited as the film that established many of the iconic elements and tropes of Bond movies. For many aficionados, Goldfinger is THE Bond movie - Rotten Tomatoes - the exacting review aggregation website, score it at 99%.\u003c\/p\u003e\n\u003cp\u003eGoldfinger rammed home the Box Office of Sean Connery and brought names like Oddjob and Pussy Galore into our lives. It also made famous the hairpin bends of the Furka Pass in Switzerland and the quintessential Belle Époque buildings lining its route. The jewel in the crown of these is the iconic Belvedere Hotel - which sits precisely on the inside of one of the hairpins. It is an Alpine monument to the glittering days of the Swiss hotel industry in the late 19th century. \u003c\/p\u003e\n\u003cp\u003eI do not like driving, or even being driven, on mountain pass roads - especially ones with token barriers accompanying 3000-foot drops. Bond may have enjoyed his car chase on this road, but I am no Bond and this project certainly reminded me that I have some embarrassing vertigo issues.\u003c\/p\u003e\n\u003cp\u003eThe Furka pass is inaccessible until late May and, given my leaning to film with as much snow in the backdrop as possible, this was always going to be an early June shoot. The Belvedere Hotel is long closed for business and I want to thank the owners for allowing to us to open the shutters and somehow put some lights on. I am sure Wes Anderson would have done the same and it did make all the difference. \u003c\/p\u003e\n\u003cp\u003eIf there was ever to be a Bond Hotel - I think it should be here. ~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41768441512007,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-HOTEL-BOND-Colour.jpg?v=1750406696"},{"product_id":"the-lion-colour","title":"The Lion - Colour","description":"\u003cp class=\"p1\"\u003eDINOKENG, SOUTH AFRICA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 78” Unframed; 52” x 93” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed; 64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eTwo framing options: Classic or Black Mount.\u003c\/p\u003e\n\u003cp\u003eI had a peculiar dream recently in which I was having a drink in an isolated, but unidentifiable, members only bar. It was a cold and rainy evening and the bar represented a place of relative warmth and comfort. There were a handful of customers in the club and I have no idea why my unconscious mind was taking me here - it was certainly not a place known to me. I have had the odd drink alone in a bar when the weather has been awful outside, but it’s not an obvious lifestyle trait.\u003c\/p\u003e\n\u003cp\u003eAnyhow, at some stage there was some noise outside and the barman asked me to open the door to the club and check out what was going on. I did as requested and there, in the doorway, in the pouring rain, was an enormous male lion. \u003c\/p\u003e\n\u003cp\u003eI woke up immediately in a panic and remembered the dream more vividly than normal. The imagery of the wet lion standing in the rain stayed with me and as time passed, I started to muse as to how we could create such a photograph. The idea was certainly authentic and I knew with the help of my dear friend Kevin Richardson - The Lion Whisperer - that anything was possible. \u003c\/p\u003e\n\u003cp\u003eKevin and I spitballed over the phone as to how we could make this happen. It was not an easy premise to convert as lions do not like to get wet and will either seek shelter or shake off any surplus water immediately. But we worked out an approach with the rain and coupled that with a cage set up that would keep me safe. The key was then to convey a sense of nighttime even  though we would be working at dawn.\u003c\/p\u003e\n\u003cp\u003eI haven’t seen a picture like this before and even better, I have never had the dream again. They are both hopefully one-offs.\u003c\/p\u003e\n\u003cp\u003eDavid Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41787543650375,"sku":null,"price":55000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Lion-Colour.jpg?v=1751316838"},{"product_id":"the-lion-b-w","title":"The Lion - B\/W","description":"\u003cp class=\"p1\"\u003eDINOKENG, SOUTH AFRICA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 78” Unframed; 52” x 93” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed; 64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eTwo framing options: Classic or Black Mount.\u003c\/p\u003e\n\u003cp\u003eI had a peculiar dream recently in which I was having a drink in an isolated, but unidentifiable, members only bar. It was a cold and rainy evening and the bar represented a place of relative warmth and comfort. There were a handful of customers in the club and I have no idea why my unconscious mind was taking me here - it was certainly not a place known to me. I have had the odd drink alone in a bar when the weather has been awful outside, but it’s not an obvious lifestyle trait.\u003c\/p\u003e\n\u003cp\u003eAnyhow, at some stage there was some noise outside and the barman asked me to open the door to the club and check out what was going on. I did as requested and there, in the doorway, in the pouring rain, was an enormous male lion. \u003c\/p\u003e\n\u003cp\u003eI woke up immediately in a panic and remembered the dream more vividly than normal. The imagery of the wet lion standing in the rain stayed with me and as time passed, I started to muse as to how we could create such a photograph. The idea was certainly authentic and I knew with the help of my dear friend Kevin Richardson - The Lion Whisperer - that anything was possible. \u003c\/p\u003e\n\u003cp\u003eKevin and I spitballed over the phone as to how we could make this happen. It was not an easy premise to convert as lions do not like to get wet and will either seek shelter or shake off any surplus water immediately. But we worked out an approach with the rain and coupled that with a cage set up that would keep me safe. The key was then to convey a sense of nighttime even  though we would be working at dawn.\u003c\/p\u003e\n\u003cp\u003eI haven’t seen a picture like this before and even better, I have never had the dream again. They are both hopefully one-offs.\u003c\/p\u003e\n\u003cp\u003eDavid Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41787544338503,"sku":null,"price":55000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Lion-BW.jpg?v=1751316849"},{"product_id":"somethings-gotta-give-b-w","title":"Something's Gotta Give - B\u0026W","description":"\u003cp\u003eDINOKENG, SOUTH AFRICA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e40” x 37” Unframed; 55” x 52” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e60” x 56” Unframed; 75” x 71” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eThis is Thor - the lion that I am most wary of in the world. He is a rare white lion who lives under the loving care of Kevin Richardson (The Lion Whisperer) in his sanctuary in South Africa. I have known Thor for 10 years, but neither his age nor familiarity have led to a mellowing of his behaviour; he would kill me in 10 seconds given half a chance.\u003c\/p\u003e\n\u003cp\u003eI am always in a cage when filming Thor and more recently a cage within a further cage. We made this extra defence as last year he tried to dig under the cage to get to me. It’s not a comfortable experience. There is a calm countenance to this preconceived portrait that is at odds with his basic instincts and the reality of the situation.\u003c\/p\u003e\n\u003cp\u003eIt does not take top percentile visual sensibility to recognise the splendour of white lions and my goal on this set was to celebrate every detail of his face. In this kind of light, there is every chance, provided Kevin, with his unique ability, can facilitate the engagement. \u003c\/p\u003e\n\u003cp\u003eI loved the film Something’s Gotta Give and it’s not a bad title for this portrait. I often think of that beach house in the Hamptons and its emblematic cocktail of whites and creams. I think Thor would have fitted into those interiors seamlessly from a visual perspective but may have impacted the calm serenity of that rarified stretch of Long Island.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41794832662599,"sku":null,"price":55000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Somethings-Gotta-Give-BW.jpg?v=1751680630"},{"product_id":"somethings-gotta-give-colour","title":"Something's Gotta Give - Colour","description":"\u003cp\u003eDINOKENG, SOUTH AFRICA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e40” x 37” Unframed; 55” x 52” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e60” x 56” Unframed; 75” x 71” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eThis is Thor - the lion that I am most wary of in the world. He is a rare white lion who lives under the loving care of Kevin Richardson (The Lion Whisperer) in his sanctuary in South Africa. I have known Thor for 10 years, but neither his age nor familiarity have led to a mellowing of his behaviour; he would kill me in 10 seconds given half a chance.\u003c\/p\u003e\n\u003cp\u003eI am always in a cage when filming Thor and more recently a cage within a further cage. We made this extra defence as last year he tried to dig under the cage to get to me. It’s not a comfortable experience. There is a calm countenance to this preconceived portrait that is at odds with his basic instincts and the reality of the situation.\u003c\/p\u003e\n\u003cp\u003eIt does not take top percentile visual sensibility to recognise the splendour of white lions and my goal on this set was to celebrate every detail of his face. In this kind of light, there is every chance, provided Kevin, with his unique ability, can facilitate the engagement. \u003c\/p\u003e\n\u003cp\u003eI loved the film Something’s Gotta Give and it’s not a bad title for this portrait. I often think of that beach house in the Hamptons and its emblematic cocktail of whites and creams. I think Thor would have fitted into those interiors seamlessly from a visual perspective but may have impacted the calm serenity of that rarified stretch of Long Island.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41794833350727,"sku":null,"price":55000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Somethings-Gotta-Give-Colour.jpg?v=1751680638"},{"product_id":"black-magic-colour","title":"Black Magic - Colour","description":"\u003cp\u003eDINOKENG, SOUTH AFRICA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 78” Unframed; 52” x 93” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed; 64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eAvailable in classic framing or black mount.\u003c\/p\u003e\n\u003cp\u003eMy recent photograph “The Black Panther Club” elicited a material reaction and I knew immediately after I saw the picture that I needed to go back the following evening and see if I could put something else in the can. A fisherman surely does the same and the emotions are not that different. These were big days in the field - the days we dream of. We have many dull days with no opportunity to create and it is in those barren moments that we must remember the very good times. Whilst it is accepted that luck equals out over time, we will do all we can to disrupt that equation.\u003c\/p\u003e\n\u003cp\u003eWe invest considerable time in this part of Transvaal and we sometimes return disappointed with the new content. This was time to double up and attack especially since the weather was settled and the light decline in the evening would be the same as the previous night. There was a limited window of perfect light, but I was confident on the logistics and my partnership with Kevin Richardson. The process relies entirely on his talents. \u003c\/p\u003e\n\u003cp\u003eSymmetry matters in these shots as well as facial expression and a head on perspective. It is far from easy and that’s why we haven’t seen much of this kind of work before. This was our only shot that worked that night and it all happened very quickly. I only took a dozen pictures; all within a two second period.\u003c\/p\u003e\n\u003cp\u003eI like the panther’s posture and the angle of his back. They are predators first and foremost. I have seen all the big cats in my career, but this cat is a finely oiled machine. \u003c\/p\u003e\n\u003cp\u003eThe cinematic format is perfect for this photograph - after all, Black Panthers elicit heavy Hollywood vibes. It is an animal that has rightly created many metaphors.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41799408484423,"sku":null,"price":55000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Black-Magic-Colour.jpg?v=1751921632"},{"product_id":"black-magic-b-w","title":"Black Magic - B\u0026W","description":"\u003cp\u003eDINOKENG, SOUTH AFRICA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 78” Unframed; 52” x 93” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed; 64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eAvailable in classic frame or black mount.\u003c\/p\u003e\n\u003cp\u003eMy recent photograph “The Black Panther Club” elicited a material reaction and I knew immediately after I saw the picture that I needed to go back the following evening and see if I could put something else in the can. A fisherman surely does the same and the emotions are not that different. These were big days in the field - the days we dream of. We have many dull days with no opportunity to create and it is in those barren moments that we must remember the very good times. Whilst it is accepted that luck equals out over time, we will do all we can to disrupt that equation.\u003c\/p\u003e\n\u003cp\u003eWe invest considerable time in this part of Transvaal and we sometimes return disappointed with the new content. This was time to double up and attack especially since the weather was settled and the light decline in the evening would be the same as the previous night. There was a limited window of perfect light, but I was confident on the logistics and my partnership with Kevin Richardson. The process relies entirely on his talents. \u003c\/p\u003e\n\u003cp\u003eSymmetry matters in these shots as well as facial expression and a head on perspective. It is far from easy and that’s why we haven’t seen much of this kind of work before. This was our only shot that worked that night and it all happened very quickly. I only took a dozen pictures; all within a two second period.\u003c\/p\u003e\n\u003cp\u003eI like the panther’s posture and the angle of his back. They are predators first and foremost. I have seen all the big cats in my career, but this cat is a finely oiled machine. \u003c\/p\u003e\n\u003cp\u003eThe cinematic format is perfect for this photograph - after all, Black Panthers elicit heavy Hollywood vibes. It is an animal that has rightly created many metaphors.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41799409369159,"sku":null,"price":55000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Black-Magic-BW.jpg?v=1751921639"},{"product_id":"the-thomas-crown-affair-colour","title":"THE THOMAS CROWN AFFAIR - Colour","description":"\u003cp\u003eWELLINGTON, FLORIDA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 68” Unframed; 52” x 83” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e56” x 103” Unframed; 71” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003ePolo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.\u003c\/p\u003e\n\u003cp\u003eMeanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational. \u003c\/p\u003e\n\u003cp\u003eThis photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida. \u003c\/p\u003e\n\u003cp\u003eThere are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41805009911879,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-THE-THOMAS-CROWN-AFFAIR-Colour.jpg?v=1752134586"},{"product_id":"the-thomas-crown-affair-b-w","title":"THE THOMAS CROWN AFFAIR - B\u0026W","description":"\u003cp\u003eWELLINGTON, FLORIDA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 68” Unframed; 52” x 83” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e56” x 103” Unframed; 71” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003ePolo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.\u003c\/p\u003e\n\u003cp\u003eMeanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational. \u003c\/p\u003e\n\u003cp\u003eThis photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida. \u003c\/p\u003e\n\u003cp\u003eThere are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41805010141255,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-THE-THOMAS-CROWN-AFFAIR-BW.jpg?v=1752094494"},{"product_id":"the-killer-colour","title":"The Killer - Colour","description":"\u003cp\u003eLarge - Edition of 20\u003c\/p\u003e\n\u003cp\u003eUnframed 56\" x 92\"; Framed 71\" x 107\"\u003c\/p\u003e\n\u003cp\u003eStandard - Edition of 20\u003c\/p\u003e\n\u003cp\u003eUnframed 37\" x 60\"; Framed 52\" x 76\"\u003c\/p\u003e\n\u003cp\u003eSince 2010, this handsome man-eating tiger has killed two villagers in Rajasthan, but T24 – as he is unimaginatively known – is still revered locally. Our brief encounter at fifteen feet was a piece of huge luck because tigers are now so rare, and they are even rarer in a backlit watering hole at sunrise. They are magical animals and the chance to take a portrait in a dark water environment free of any tension points was a moment of great fortune. In twenty eight hours of driving around Ranthambore with the most experienced of guides, this was my only encounter of any note with India’s most magnificent animal. This powerful tiger portrait will stand the test of time – I know that simply because I know that I can’t really do much better, and I do always want to do better.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41825135460423,"sku":null,"price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-The-Killer-Colour.jpg?v=1752785702"},{"product_id":"hello-colour","title":"Hello (Colour)","description":"\u003cdiv class=\"cell\"\u003eLARGE - Edition of 12\u003c\/div\u003e\n\u003cdiv class=\"cell\"\u003eUnframed - 56\" x 91\"; Framed - 71\" x 106\"\u003c\/div\u003e\n\u003cdiv class=\"cell\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"cell\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cell\"\u003eSTANDARD - Edition of 12\u003c\/div\u003e\n\u003cdiv class=\"cell\"\u003eUnframed - 37\" x 60\"; Framed - 52\" x 75\"\u003c\/div\u003e\n\u003cdiv class=\"cell\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis image was run in the British Press a few days after my encounter on Barter Island. It is a special picture and I guess it will become a well-known picture. It is something of a platitude to say that the bigger an image is printed, the greater the detail, but on this occasion it is very pertinent for two reasons.\u003c\/p\u003e\n\u003cp\u003eFirstly, a polar bear is a huge animal. If possible, any portrait should reflect this and – in this case – given that it is a head on shot, that is easy. The bear’s head in the image should be at least life size – if not more.\u003c\/p\u003e\n\u003cp\u003eSecondly the bear is pin sharp around its eyes. I think that I must have been closer than just about anyone has ever been to a polar bear in the wild and lived to tell the tale. I was also using Nikon’s flagship 58m lens – which captures every hair at the assigned focal point. When the first large print of the image came off the drum in LA, one of the team turned to me and said “David, look at the eyes – you are in them!”. He was right; I inadvertently took a selfie through the eyes of a polar bear. That surely is groundbreaking.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41845950349383,"sku":null,"price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Hello-Colour.jpg?v=1753476852"},{"product_id":"the-salmon-run","title":"THE SALMON RUN","description":"\u003cp\u003eFUNNEL CREEK, ALASKA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e33” x 69” Unframed\u003cbr\u003e48” x 84” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed\u003cbr\u003e64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThere is a pleasing compositional balance to this action shot and that is pure luck. I am not in control of the bear’s line of attack and at moments like this, I can neither change my lens nor my position relative to the bear. The sequence as it pertains to my camera is over within two seconds and then it’s just a question of angles. If the bear’s more distant eye is obscured by his nose, then the image loses its power, but luckily, it’s right there. Furthermore, the distribution of the water patterns is also a gift that I am not sure I truly earned.\u003c\/p\u003e\n\u003cp\u003eWhilst I sense that East African wildlife has been photographed to the point of saturation, the great outdoors of America, and in particular Alaska, still has a pull on me. I have not been back to Kenya or Tanzania for many years now, but I return to Alaska almost every year. Our success rate is not good, but that is in part because we believe any released shot must transcend at some level. I am simply a photographer, not a wildlife photographer, and I have great respect for those smart wildlife photographers who make a good living; it’s never been a tougher ask. Everyone is a photographer in 2025 and it’s difficult to be authentic.\u003c\/p\u003e\n\u003cp\u003eIn many ways it’s a numbers game. Alaska’s expansive 650,000 square miles of territory makes it America’s largest state by far, but it has a population equivalent to less than two years of visitors to the Maasai Mara in Kenya, which covers just 600 square miles. That’s an instructive statistic. Bear photography in Alaska is popular in the National Parks of Katmai and Lake Clark, both of which are 100 times the size of the Maasai Mara. It is so much easier to be alone and in the wild in Alaska.\u003c\/p\u003e\n\u003cp\u003eWe like to be alone when we film and that is virtually impossible in most special places in the world, but it is very much still possible in the untamed tundra of Alaska and therein lies the draw. That and then, of course, the primal grandeur of the scenery and the spectacle of the salmon runs. It remains an aesthetic treasure trove.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41853977395271,"sku":null,"price":45000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-THE-SALMON-RUN.jpg?v=1753822439"},{"product_id":"the-salmon-run-colour","title":"THE SALMON RUN - Colour","description":"\u003cp\u003eFUNNEL CREEK, ALASKA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e33” x 69” Unframed\u003cbr\u003e48” x 84” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed\u003cbr\u003e64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThere is a pleasing compositional balance to this action shot and that is pure luck. I am not in control of the bear’s line of attack and at moments like this, I can neither change my lens nor my position relative to the bear. The sequence as it pertains to my camera is over within two seconds and then it’s just a question of angles. If the bear’s more distant eye is obscured by his nose, then the image loses its power, but luckily, it’s right there. Furthermore, the distribution of the water patterns is also a gift that I am not sure I truly earned.\u003c\/p\u003e\n\u003cp\u003eWhilst I sense that East African wildlife has been photographed to the point of saturation, the great outdoors of America, and in particular Alaska, still has a pull on me. I have not been back to Kenya or Tanzania for many years now, but I return to Alaska almost every year. Our success rate is not good, but that is in part because we believe any released shot must transcend at some level. I am simply a photographer, not a wildlife photographer, and I have great respect for those smart wildlife photographers who make a good living; it’s never been a tougher ask. Everyone is a photographer in 2025 and it’s difficult to be authentic.\u003c\/p\u003e\n\u003cp\u003eIn many ways it’s a numbers game. Alaska’s expansive 650,000 square miles of territory makes it America’s largest state by far, but it has a population equivalent to less than two years of visitors to the Maasai Mara in Kenya, which covers just 600 square miles. That’s an instructive statistic. Bear photography in Alaska is popular in the National Parks of Katmai and Lake Clark, both of which are 100 times the size of the Maasai Mara. It is so much easier to be alone and in the wild in Alaska.\u003c\/p\u003e\n\u003cp\u003eWe like to be alone when we film and that is virtually impossible in most special places in the world, but it is very much still possible in the untamed tundra of Alaska and therein lies the draw. That and then, of course, the primal grandeur of the scenery and the spectacle of the salmon runs. It remains an aesthetic treasure trove.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41853978673223,"sku":null,"price":45000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-THE-SALMON-RUN-Colour.jpg?v=1753822450"},{"product_id":"backcountry","title":"Backcountry","description":"\u003cp\u003eFUNNEL CREEK, ALASKA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e46” x 37” Unframed\u003cbr\u003e61” x 52” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e70” x 56” Unframed\u003cbr\u003e85” x 71” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIn my experience, Alaskan bear photography leans heavily on two variables: logistical rigour and luck. If there is a third component, it is probably patience and an ability to kill time. I don’t really think camerawork, above a basic level, has much to do with it; it is more about making sure the camera is in front of interesting stuff when it matters and that is a function of logistical prowess and luck. \u003c\/p\u003e\n\u003cp\u003eI sense that over the years our experience has helped push luck in our direction. As my friend Gary Player the golfer once commented “the more I practice the luckier I seem to get”. The guidance we have from 15 years of metadata of bear encounters on this river is never far from my mind. It is an iterative process and we have most certainly learnt on the job.  In the early days, I really had no idea what I was doing and my work with bears was bland and generic. \u003c\/p\u003e\n\u003cp\u003eThis part of Alaska is proper backcountry and a world removed from the staged shoots I do around the world. There are few comforts other than familiarity, but that is the biggest luxury of all. I think I have spent more time over the years on this small patch of river gravel than I have in any smart hotel room in the world. \u003c\/p\u003e\n\u003cp\u003eI don’t like to photograph bears when the light is bright. Somehow they become less menacing, and the sense of awe can be lost. It rains a great deal in Alaska, but there are also many sunny days during the salmon runs and on those days bear photography can become challenging not long after breakfast. It is a long way to come to work in suboptimal light, so we tend to push things logistically.\u003c\/p\u003e\n\u003cp\u003eThe day I took this photograph we were in the air in our float plane just after 5.30am and no one was anywhere near us when we trekked the tundra 30 minutes later. That is the way to do it - be alone and in place early in the backcountry and then wait for decent daylight and the magic to unfold.\u003c\/p\u003e\n\u003cp\u003eI was back home and in a welcome hot shower by 10 am. I think I am too old now to believe that there is any better way to start the day.\u003c\/p\u003e\n\u003cp\u003e~ DAVID YARROW\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41854351409223,"sku":null,"price":45000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Backcountry.jpg?v=1753822462"},{"product_id":"backcountry-copy","title":"Backcountry - Colour","description":"\u003cp\u003eFUNNEL CREEK, ALASKA - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e46” x 37” Unframed\u003cbr\u003e61” x 52” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e70” x 56” Unframed\u003cbr\u003e85” x 71” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIn my experience, Alaskan bear photography leans heavily on two variables: logistical rigour and luck. If there is a third component, it is probably patience and an ability to kill time. I don’t really think camerawork, above a basic level, has much to do with it; it is more about making sure the camera is in front of interesting stuff when it matters and that is a function of logistical prowess and luck. \u003c\/p\u003e\n\u003cp\u003eI sense that over the years our experience has helped push luck in our direction. As my friend Gary Player the golfer once commented “the more I practice the luckier I seem to get”. The guidance we have from 15 years of metadata of bear encounters on this river is never far from my mind. It is an iterative process and we have most certainly learnt on the job.  In the early days, I really had no idea what I was doing and my work with bears was bland and generic. \u003c\/p\u003e\n\u003cp\u003eThis part of Alaska is proper backcountry and a world removed from the staged shoots I do around the world. There are few comforts other than familiarity, but that is the biggest luxury of all. I think I have spent more time over the years on this small patch of river gravel than I have in any smart hotel room in the world. \u003c\/p\u003e\n\u003cp\u003eI don’t like to photograph bears when the light is bright. Somehow they become less menacing, and the sense of awe can be lost. It rains a great deal in Alaska, but there are also many sunny days during the salmon runs and on those days bear photography can become challenging not long after breakfast. It is a long way to come to work in suboptimal light, so we tend to push things logistically.\u003c\/p\u003e\n\u003cp\u003eThe day I took this photograph we were in the air in our float plane just after 5.30am and no one was anywhere near us when we trekked the tundra 30 minutes later. That is the way to do it - be alone and in place early in the backcountry and then wait for decent daylight and the magic to unfold.\u003c\/p\u003e\n\u003cp\u003eI was back home and in a welcome hot shower by 10 am. I think I am too old now to believe that there is any better way to start the day.\u003c\/p\u003e\n\u003cp\u003e~ DAVID YARROW\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41854351736903,"sku":null,"price":45000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Backcountry-Colour.jpg?v=1753822472"},{"product_id":"bison-dechambeau","title":"BISON DECHAMBEAU","description":"\u003cp\u003eTELLURIDE, COLORADO - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 61” Unframed; 52” x 76” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e56” x 92” Unframed; 71” x 107” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThere are about 16,000 golf courses in America, but only two are higher in elevation than Telluride Golf Club. When the members play out their rounds against the visual grandeur of the San Juan mountains, the thin air allows them to enjoy an extra 10 % length on their drives.\u003c\/p\u003e\n\u003cp\u003e120 years ago, these mountains were thinly governed and hosted hard living, gun carrying, outlaws, not golf tournaments. When Tarantino shot The Hateful Eight, just a couple of miles up the road, there were no clean-cut characters who looked like Arnold Palmer or Jack Nicklaus.\u003c\/p\u003e\n\u003cp\u003eThere was little cultural refinement in the San Juan Mountains in the wild west days and the emergence of the genteel game of golf seems a little incongruous - especially at 9,500 feet. Until the club was founded in 1985, there were many more bears and bison in the mountains than there were birdies.\u003c\/p\u003e\n\u003cp\u003eWith all this in mind, I sensed there was an opportunity to be playful and stage a Wild West golf match on the course. The locals could participate as extras, so long as they dressed in final frontier clothing, and then we just needed a proper ruffian as the lead. I chose my friend Ty Mitchell, an authentic cowboy and DiCaprio’s henchman in Killers of the Flower Moon. \u003c\/p\u003e\n\u003cp\u003eBut we were not quite finished with the cast. We knew a tame bison out of Santa Fe and his owner was fairly convinced that he would be comfortable carrying the outlaw’s golf clubs. That seemed an idea worth exploring.\u003c\/p\u003e\n\u003cp\u003eEarly one mid-summer morning, it all came together on the 18th green at Telluride. The view back to the celebrated mountain airport in the distance emphatically identifies the location.\u003c\/p\u003e\n\u003cp\u003eToday’s professional golf circuit is enriched by a few cavalier gun slingers and none more so than Bryson DeChambeau. I had a rare moment\u003cbr\u003eof inspiration and the title of this photograph is perhaps as fun as the photo itself.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41916025962567,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-BISON-DECHAMBEAU.jpg?v=1754945639"},{"product_id":"bison-dechambeau-colour","title":"BISON DECHAMBEAU - Colour","description":"\u003cp\u003eTELLURIDE, COLORADO - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 61” Unframed; 52” x 76” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e56” x 92” Unframed; 71” x 107” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThere are about 16,000 golf courses in America, but only two are higher in elevation than Telluride Golf Club. When the members play out their rounds against the visual grandeur of the San Juan mountains, the thin air allows them to enjoy an extra 10 % length on their drives.\u003c\/p\u003e\n\u003cp\u003e120 years ago, these mountains were thinly governed and hosted hard living, gun carrying, outlaws, not golf tournaments. When Tarantino shot The Hateful Eight, just a couple of miles up the road, there were no clean-cut characters who looked like Arnold Palmer or Jack Nicklaus.\u003c\/p\u003e\n\u003cp\u003eThere was little cultural refinement in the San Juan Mountains in the wild west days and the emergence of the genteel game of golf seems a little incongruous - especially at 9,500 feet. Until the club was founded in 1985, there were many more bears and bison in the mountains than there were birdies.\u003c\/p\u003e\n\u003cp\u003eWith all this in mind, I sensed there was an opportunity to be playful and stage a Wild West golf match on the course. The locals could participate as extras, so long as they dressed in final frontier clothing, and then we just needed a proper ruffian as the lead. I chose my friend Ty Mitchell, an authentic cowboy and DiCaprio’s henchman in Killers of the Flower Moon. \u003c\/p\u003e\n\u003cp\u003eBut we were not quite finished with the cast. We knew a tame bison out of Santa Fe and his owner was fairly convinced that he would be comfortable carrying the outlaw’s golf clubs. That seemed an idea worth exploring.\u003c\/p\u003e\n\u003cp\u003eEarly one mid-summer morning, it all came together on the 18th green at Telluride. The view back to the celebrated mountain airport in the distance emphatically identifies the location.\u003c\/p\u003e\n\u003cp\u003eToday’s professional golf circuit is enriched by a few cavalier gun slingers and none more so than Bryson DeChambeau. I had a rare moment\u003cbr\u003eof inspiration and the title of this photograph is perhaps as fun as the photo itself.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41916027306055,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-BISON-DECHAMBEAU-Colour.jpg?v=1754945648"},{"product_id":"telluride-s-happy-gilmore","title":"TELLURIDE’S HAPPY GILMORE","description":"\u003cp\u003eTELLURIDE, COLORADO - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 78” Unframed; 52” x 93” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed; 64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThe visually blessed mountain town of Telluride in Colorado has accommodated story book characters since its foundation as a mining town in the late 19th century. Nestling at 9,500 feet up in the San Juan mountains, I think the thin air impinges on the ability of anyone to be even remotely normal. We are a quarter of the way through the 21st century, but Telluride remains a frontier town at the end of the line.\u003c\/p\u003e\n\u003cp\u003eThose that have found Telluride and chosen to make it their home, celebrate life, as well they should; there are very few places I know on the planet that offer such a good way of life. It is a resort full of happy extroverts who embrace the culture of Carpe diem.\u003c\/p\u003e\n\u003cp\u003eTelluride Golf Club is the third highest in elevation in America (out of 16,000 courses) and almost every hole has an outrageous backdrop. I thought that the 18th hole, with the cliff hugging airport in the distance, would be an ideal platform to tell a story of a Wild West community that knows how to enjoy life.\u003c\/p\u003e\n\u003cp\u003eI have become increasingly drawn to participation art and greatly admire the work of French photographer JR. The quest for authenticity is core to art and participation art is almost always authentic. Involving many people in a staged image does lean on logistics a little, but the key is to emotionally invest in the community of whom you are asking so much.\u003c\/p\u003e\n\u003cp\u003eIt is about “winning the crowd” and I could not have done this without the support and advocacy of locals in town. I want to thankTelluride Ski \u0026amp; Golf Club for their enthusiasm for this project and then, of course, the 100 locals who turned up at\u003cbr\u003e6.30 am in period clothing at 9,500 feet up a mountain.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41916040249415,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-TELLURIDES-HAPPY-GILMORE.jpg?v=1754945656"},{"product_id":"telluride-s-happy-gilmore-colour","title":"TELLURIDE’S HAPPY GILMORE - Colour","description":"\u003cp\u003eTELLURIDE, COLORADO - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e37” x 78” Unframed; 52” x 93” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e49” x 103” Unframed; 64” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eThe visually blessed mountain town of Telluride in Colorado has accommodated story book characters since its foundation as a mining town in the late 19th century. Nestling at 9,500 feet up in the San Juan mountains, I think the thin air impinges on the ability of anyone to be even remotely normal. We are a quarter of the way through the 21st century, but Telluride remains a frontier town at the end of the line.\u003c\/p\u003e\n\u003cp\u003eThose that have found Telluride and chosen to make it their home, celebrate life, as well they should; there are very few places I know on the planet that offer such a good way of life. It is a resort full of happy extroverts who embrace the culture of Carpe diem.\u003c\/p\u003e\n\u003cp\u003eTelluride Golf Club is the third highest in elevation in America (out of 16,000 courses) and almost every hole has an outrageous backdrop. I thought that the 18th hole, with the cliff hugging airport in the distance, would be an ideal platform to tell a story of a Wild West community that knows how to enjoy life.\u003c\/p\u003e\n\u003cp\u003eI have become increasingly drawn to participation art and greatly admire the work of French photographer JR. The quest for authenticity is core to art and participation art is almost always authentic. Involving many people in a staged image does lean on logistics a little, but the key is to emotionally invest in the community of whom you are asking so much.\u003c\/p\u003e\n\u003cp\u003eIt is about “winning the crowd” and I could not have done this without the support and advocacy of locals in town. I want to thankTelluride Ski \u0026amp; Golf Club for their enthusiasm for this project and then, of course, the 100 locals who turned up at\u003cbr\u003e6.30 am in period clothing at 9,500 feet up a mountain.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41916040446023,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-TELLURIDES-HAPPY-GILMORE-Colour.jpg?v=1754985774"},{"product_id":"cara-cigar","title":"Cara Cigar","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDinokeng, South Africa\u003c\/span\u003e\u003cspan\u003e - \u003c\/span\u003e\u003cspan\u003e2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition size of 20\u003c\/p\u003e\n\u003cp\u003eLarge: 60\" x 56\" - Framed: 75\" x 71\"\u003c\/p\u003e\n\u003cp\u003eStandard: 40\" x 37\" - Framed: 55\" x 52\"\u003c\/p\u003e\n\u003cdiv class=\"photograph_photograph__info__description__rMJSJ\"\u003e\n\u003cp\u003eWhen a well-known photographer leaves this world, there is never the time or space to remember too much of\u2028his or her work. There tends to be just three or four iconic images that transcend the overall body of work and will always be remembered. These three or four shots define a career.\u003c\/p\u003e\n\u003cp\u003eI was not sure where my career would take me, and I was not sure if I had taken an iconic image yet — I let others decide. But I do know that this photograph, part of the TAG Heuer “Don’t Crack Under Pressure” campaign, is probably one of the most powerful shots I have ever taken. Yes, it was a commercial shoot with one of the world’s most famous women, but I think it goes beyond that. It grabs the eye and then holds it in a viselike grip. Everything about the work is viscerally powerful.\u003c\/p\u003e\n\u003cp\u003eI look back on that day with great emotion. There are so many people to thank, none more so than the British icon Cara Delevingne. She is of course stunning, but she is also authentic\u2028and intelligent and couples these qualities with an admirable work ethic. Furthermore, on this day she was incredibly brave and fittingly did not crack under pressure. This image is\u2028not manipulated; there were five yards between her and the lion. At no stage did she show tension or anxiety, and that made my job so much easier.\u003c\/p\u003e\n\u003cp\u003eI think a key to the image was the reasonably powerful late-afternoon sunlight, as the shadows on both Cara and the lion are so consistent that the authenticity of the image can’t be questioned. In the morning, the light was flatter, and thus the lion and Cara were not as visually linked as they are here.\u003c\/p\u003e\n\u003cp\u003eThis campaign would not have been possible without the help of Kevin Richardson in South Africa and I thank him for the awareness he brings to the plight of the lion in Africa. We know each other so well and that day in December in South Africa was the culmination of a trust that has built up over 5 years of working with each other. Finally, I would like to thank Jean-Claude Bivet - the genius behind TAG Heuer - and Valerie Grande for always wearing a smile.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e\n\u003c\/div\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41924405526599,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Cara-Cigar.jpg?v=1755291322"},{"product_id":"gone-fishing-1","title":"Gone Fishing","description":"\u003cp\u003eLARGE - Edition of 12\u003cbr\u003eUnframed - 56\" x 58\"\u003cbr\u003eFramed - 71\" x 73\"\u003c\/p\u003e\n\u003cp\u003eSTANDARD - Edition of 12\u003cbr\u003eUnframed - 37\" x 38\"\u003cbr\u003eFramed - 52\" x 53\"\u003c\/p\u003e\n\u003cp\u003eFUNNEL CREEK, ALASKA - 2025\u003c\/p\u003e\n\u003cp\u003eThe volume of salmon in this river in Katmai, Alaska during late July\/early August pushes the odds in favour of the bear. Their hit rate may be less than 20%, but that still means they should catch a salmon within a couple of minutes of a period of frenzied fishing. The old, experienced bears tend to have a higher success rate and go about the whole process with a nonchalance born out of historically high hit rates.\u003c\/p\u003e\n\u003cp\u003eThe odds of success for the photographer are far lower than for the bear. There are so many more variables at play and most of them are outside of the cameraman’s control.\u003c\/p\u003e\n\u003cp\u003eIdeally the bear needs to be close and head on to the camera and that outcome tends to be as much about luck as rigorous predictive analysis. I also much prefer flat, calm light as opposed to strong and directional, whereas the bear doesn’t care one bit.\u003c\/p\u003e\n\u003cp\u003eThis frame works. The bear is sharp and focused on the job in hand and my angle of view is right. There is clarity and yet some dynamism and the light is flat. It doesn’t often happen and when it does, it is always satisfying.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41969908940871,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Gone-Fishing.png?v=1756932877"},{"product_id":"gone-fishing-colour","title":"Gone Fishing (Colour)","description":"\u003cp\u003eLARGE - Edition of 12\u003cbr\u003eUnframed - 56\" x 58\"\u003cbr\u003eFramed - 71\" x 73\"\u003c\/p\u003e\n\u003cp\u003eSTANDARD - Edition of 12\u003cbr\u003eUnframed - 37\" x 38\"\u003cbr\u003eFramed - 52\" x 53\"\u003c\/p\u003e\n\u003cp\u003eFUNNEL CREEK, ALASKA - 2025\u003c\/p\u003e\n\u003cp\u003eThe volume of salmon in this river in Katmai, Alaska during late July\/early August pushes the odds in favour of the bear. Their hit rate may be less than 20%, but that still means they should catch a salmon within a couple of minutes of a period of frenzied fishing. The old, experienced bears tend to have a higher success rate and go about the whole process with a nonchalance born out of historically high hit rates.\u003c\/p\u003e\n\u003cp\u003eThe odds of success for the photographer are far lower than for the bear. There are so many more variables at play and most of them are outside of the cameraman’s control.\u003c\/p\u003e\n\u003cp\u003eIdeally the bear needs to be close and head on to the camera and that outcome tends to be as much about luck as rigorous predictive analysis. I also much prefer flat, calm light as opposed to strong and directional, whereas the bear doesn’t care one bit.\u003c\/p\u003e\n\u003cp\u003eThis frame works. The bear is sharp and focused on the job in hand and my angle of view is right. There is clarity and yet some dynamism and the light is flat. It doesn’t often happen and when it does, it is always satisfying.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":41969909596231,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Gone-Fishing-Colour.png?v=1787488146"},{"product_id":"sinclair-oil","title":"SINCLAIR OIL","description":"\u003cp\u003eALPINE, TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e34” x 69” Unframed\u003cbr\u003e49” x 84” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e50” x 103” Unframed\u003cbr\u003e65” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIn early 2025, I stumbled across a 1942 Sinclair Oil advert featuring a photograph of a cowboy on a horse racing against a low flying American Airlines Douglas DC7. Sinclair supplied American Airlines with engine lubricant and the advert was a simple play on horsepower. Like many of the commercial adverts of that period, the message lent on the contribution to the war effort.\u003c\/p\u003e\n\u003cp\u003eThe connectivity between horse and flying machine in the image was visually arresting and told a wonderful story. The creatives behind this piece of advertising art will no longer be with us but deserve great recognition.\u003c\/p\u003e\n\u003cp\u003eWe started to spitball a few ideas to make our own version of this photograph. Camera capability may have come a long way in the last 80 years, but the nerve to fly 50 feet off the ground in a decent size plane is still not for everyone and we needed to find a pilot who embraced our ambition and would be game enough to join us in this homage to a piece of World War II history.\u003c\/p\u003e\n\u003cp\u003eWe chose Alpine Airport in West Texas as our location for three reasons. Firstly, the airport sits in a stunning amphitheater with mountains to the west and south of the main runway. Secondly, the owners of the airport seemed to be our kind of people, who want to make things happen rather than find reasons why they should not. Thirdly, there would be no shortage of skilled cowboys in the area who could navigate their way through the horse part of the story.\u003c\/p\u003e\n\u003cp\u003eOur pilot - Roger Woolsey - is a gem of a guy and used to low flying. His fabulous 1944 A-26 Invader that we used that day was active in The Battle of the Bulge in World War II, so the story came full circle.\u003c\/p\u003e\n\u003cp\u003eThis project would not have been possible without the help of the decorated Vietnam veteran - General Ron Fogleman - who introduced us to Roger and his team.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42010258341959,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-SINCLAIR-OIL.jpg?v=1758056184"},{"product_id":"sinclair-oil-colour","title":"SINCLAIR OIL (Colour)","description":"\u003cp\u003eALPINE, TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eS T A N D A R D\u003cbr\u003e34” x 69” Unframed\u003cbr\u003e49” x 84” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e50” x 103” Unframed\u003cbr\u003e65” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eIn early 2025, I stumbled across a 1942 Sinclair Oil advert featuring a photograph of a cowboy on a horse racing against a low flying American Airlines Douglas DC7. Sinclair supplied American Airlines with engine lubricant and the advert was a simple play on horsepower. Like many of the commercial adverts of that period, the message lent on the contribution to the war effort.\u003c\/p\u003e\n\u003cp\u003eThe connectivity between horse and flying machine in the image was visually arresting and told a wonderful story. The creatives behind this piece of advertising art will no longer be with us but deserve great recognition.\u003c\/p\u003e\n\u003cp\u003eWe started to spitball a few ideas to make our own version of this photograph. Camera capability may have come a long way in the last 80 years, but the nerve to fly 50 feet off the ground in a decent size plane is still not for everyone and we needed to find a pilot who embraced our ambition and would be game enough to join us in this homage to a piece of World War II history.\u003c\/p\u003e\n\u003cp\u003eWe chose Alpine Airport in West Texas as our location for three reasons. Firstly, the airport sits in a stunning amphitheater with mountains to the west and south of the main runway. Secondly, the owners of the airport seemed to be our kind of people, who want to make things happen rather than find reasons why they should not. Thirdly, there would be no shortage of skilled cowboys in the area who could navigate their way through the horse part of the story.\u003c\/p\u003e\n\u003cp\u003eOur pilot - Roger Woolsey - is a gem of a guy and used to low flying. His fabulous 1944 A-26 Invader that we used that day was active in The Battle of the Bulge in World War II, so the story came full circle.\u003c\/p\u003e\n\u003cp\u003eThis project would not have been possible without the help of the decorated Vietnam veteran - General Ron Fogleman - who introduced us to Roger and his team.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42010258374727,"sku":null,"price":99999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-SINCLAIR-OIL-Colour.jpg?v=1758115854"},{"product_id":"welcome-to-texas","title":"Welcome to Texas","description":"\u003cp\u003eALPINE, TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eLARGE - Edition of 12\u003cbr\u003eUnframed: 27\" x 103\"\u003cbr\u003eFramed: 42\" x 118\"\u003c\/p\u003e\n\u003cp\u003eSTANDARD - Edition of 12\u003cbr\u003eUnframed: 21\" x 77\"\u003cbr\u003eFramed: 36\" x 92\"\u003c\/p\u003e\n\u003cp\u003eMuch of my work is preconceived and we tend to start a day’s filming with a set of solid ideas in mind. Other filmmakers may prefer a more freewheeling approach and to let the magic happen spontaneously, but that can be extremely risky as ideas don’t tend to come on demand. \u003c\/p\u003e\n\u003cp\u003eSearching for creative ideas is not like ordering room service when the hotel guest asks for food as soon as he or she is hungry. The best ideas for photographs tend to come when the camera and the mind are firmly decoupled. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe premise for this photograph, however, only emerged as the sun started to set at Alpine airport in West Texas. \u003c\/p\u003e\n\u003cp\u003eIt was totally spontaneous; I certainly would never have conceived of making a picture with these extreme dimensions. This is a total one off for us. \u003c\/p\u003e\n\u003cp\u003eBut the whole image just works and works well. The aesthetic beauty of both the World War II bomber and the West Texas skyline, complement the cowboys who help evoke a sense of place. There had to be symmetry for the concept to work and my cowboys followed my directions with precision. Without the balance and the perfect bookends, there was no picture. \u003c\/p\u003e\n\u003cp\u003eWe would like to thank General Ron Fogleman - a decorated Vietnam veteran - for being the driving force behind delivering this aircraft to an unfamiliar airport in a remote part of West Texas. We love filming in this part of America because Texans, by and large, tend to make things happen as opposed to finding reasons why they should not.\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42020729978951,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Welcome-to-Texas.jpg?v=1758142423"},{"product_id":"welcome-to-texas-colour","title":"Welcome to Texas - Colour","description":"\u003cp\u003eALPINE, TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eLARGE - Edition of 12\u003cbr\u003eUnframed: 27\" x 103\"\u003cbr\u003eFramed: 42\" x 118\"\u003c\/p\u003e\n\u003cp\u003eSTANDARD - Edition of 12\u003cbr\u003eUnframed: 21\" x 77\"\u003cbr\u003eFramed: 36\" x 92\"\u003c\/p\u003e\n\u003cp\u003eMuch of my work is preconceived and we tend to start a day’s filming with a set of solid ideas in mind. Other filmmakers may prefer a more freewheeling approach and to let the magic happen spontaneously, but that can be extremely risky as ideas don’t tend to come on demand. \u003c\/p\u003e\n\u003cp\u003eSearching for creative ideas is not like ordering room service when the hotel guest asks for food as soon as he or she is hungry. The best ideas for photographs tend to come when the camera and the mind are firmly decoupled. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe premise for this photograph, however, only emerged as the sun started to set at Alpine airport in West Texas. \u003c\/p\u003e\n\u003cp\u003eIt was totally spontaneous; I certainly would never have conceived of making a picture with these extreme dimensions. This is a total one off for us. \u003c\/p\u003e\n\u003cp\u003eBut the whole image just works and works well. The aesthetic beauty of both the World War II bomber and the West Texas skyline, complement the cowboys who help evoke a sense of place. There had to be symmetry for the concept to work and my cowboys followed my directions with precision. Without the balance and the perfect bookends, there was no picture. \u003c\/p\u003e\n\u003cp\u003eWe would like to thank General Ron Fogleman - a decorated Vietnam veteran - for being the driving force behind delivering this aircraft to an unfamiliar airport in a remote part of West Texas. We love filming in this part of America because Texans, by and large, tend to make things happen as opposed to finding reasons why they should not.\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42020730404935,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Welcome-to-Texas-Colour.jpg?v=1758142432"},{"product_id":"take-my-breath-away","title":"Take My Breath Away","description":"\u003cp\u003eLARGE - Edition of 12\u003cbr\u003eUnframed: 45\" x 103\"\u003cbr\u003eFramed: 60\" x 118\"\u003c\/p\u003e\n\u003cp\u003eSTANDARD - Edition of 12\u003cbr\u003eUnframed: 34\" x 77\"\u003cbr\u003eFramed: 49\" x 92\"\u003c\/p\u003e\n\u003cp\u003eALPINE, TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eFew movies have had such an impact on popular culture as Tony Scott’s Top Gun. Released in 1986, the film became a cultural phenomenon and gave a material boost to both US Navy and Air Force recruitment. It remains Tom Cruise’s biggest box office success, with inflation adjusted sales of nearly $500m against a modest budget of just $15m.\u003c\/p\u003e\n\u003cp\u003eThe film is also remembered for the character Charlie played by Kelly McGillis. In a male dominated environment, she ruled the roost. Berlin’s song, Take My Breath Away, which won an Academy award for Best Original Song, became synonymous with the movie.\u003c\/p\u003e\n\u003cp\u003eHer impact in the movie was central to my thought processing at Alpine Airport in West Texas when I took this photograph. I needed my model - Holly Graves, (who is in fact Texan) - to own the frame, and I think she does exactly that.\u003c\/p\u003e\n\u003cp\u003eIt’s not breaking new ground to couple femininity with the contours of a vintage aircraft. Norman Parkinson introduced this creative formula 70 years ago. I think the challenge is to get the composition and the scaling right. There needs to be a balance between the two key subjects.\u003c\/p\u003e\n\u003cp\u003eWe would like to thank General Ron Fogleman - a decorated Vietnam veteran - for making this project possible by bringing his A-26 Invader to West Texas. This was no half-hearted Hollywood prop; the plane participated in the Battle of the Bulge in 1944.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42020732174407,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Take-My-Breath-Away.jpg?v=1758142439"},{"product_id":"take-my-breath-away-colour","title":"Take My Breath Away - Colour","description":"\u003cp\u003eLARGE - Edition of 12\u003cbr\u003eUnframed: 45\" x 103\"\u003cbr\u003eFramed: 60\" x 118\"\u003c\/p\u003e\n\u003cp\u003eSTANDARD - Edition of 12\u003cbr\u003eUnframed: 34\" x 77\"\u003cbr\u003eFramed: 49\" x 92\"\u003c\/p\u003e\n\u003cp\u003eALPINE, TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eFew movies have had such an impact on popular culture as Tony Scott’s Top Gun. Released in 1986, the film became a cultural phenomenon and gave a material boost to both US Navy and Air Force recruitment. It remains Tom Cruise’s biggest box office success, with inflation adjusted sales of nearly $500m against a modest budget of just $15m.\u003c\/p\u003e\n\u003cp\u003eThe film is also remembered for the character Charlie played by Kelly McGillis. In a male dominated environment, she ruled the roost. Berlin’s song, Take My Breath Away, which won an Academy award for Best Original Song, became synonymous with the movie.\u003c\/p\u003e\n\u003cp\u003eHer impact in the movie was central to my thought processing at Alpine Airport in West Texas when I took this photograph. I needed my model - Holly Graves, (who is in fact Texan) - to own the frame, and I think she does exactly that.\u003c\/p\u003e\n\u003cp\u003eIt’s not breaking new ground to couple femininity with the contours of a vintage aircraft. Norman Parkinson introduced this creative formula 70 years ago. I think the challenge is to get the composition and the scaling right. There needs to be a balance between the two key subjects.\u003c\/p\u003e\n\u003cp\u003eWe would like to thank General Ron Fogleman - a decorated Vietnam veteran - for making this project possible by bringing his A-26 Invader to West Texas. This was no half-hearted Hollywood prop; the plane participated in the Battle of the Bulge in 1944.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42020732305479,"sku":null,"price":70000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Take-My-Breath-Away-Colour.jpg?v=1758183260"},{"product_id":"cattle-and-oil","title":"Cattle and Oil","description":"\u003cp\u003eS T A N D A R D\u003cbr\u003e32” x 77” Unframed\u003cbr\u003e47” x 92” Framed\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e42” x 103” Unframed\u003cbr\u003e57” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eWEST TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eThis tableau is an empathic love letter to Texas. The two industries most associated with the Lone Star State are ranching and oil and I wanted these distinct ways of life to coalesce as if Taylor Sheridan had merged two of his visually rich productions into one. Ask 1000 US high school kids which State I am celebrating in this photograph and I would expect that 98% would say Texas. The dissenting 2% may need to get off social media and do some more homework.\u003c\/p\u003e\n\u003cp\u003eWe built this 1920s oil boom town set in ranchland in West Texas and over a period of 48 hours I toyed with the most powerful layers of narrative. My default approach is to focus on the foreground and then let the background look after itself. A cattle herd brings dynamism, but also a lack of compositional control; the\u003cbr\u003eprecise movement of the lead longhorns - even with the most skilled of cowboys - cannot be directed and therefore I am gambling.\u003c\/p\u003e\n\u003cp\u003eDays like these can be frustrating as we are not in a studio and the light is changing all the time. There tends to be just a small timeframe in which the magic must happen. I don’t think there is a formula for success other than employing the very best people and then learning very quickly from mistakes on the day.\u003c\/p\u003e\n\u003cp\u003eThe feature closest to the camera is key; a weak first layer often kills a tableau like this. But on this occasion the lead longhorn is strong and glues the composition together. That, of course, is pure luck. We have never met before and he had no idea what I was looking for.\u003c\/p\u003e\n\u003cp\u003eTexas is a unique part of America - it is a State that will always do things its own way and that’s what makes it so special. As a Scotsman who has been made to feel so welcome in Texas, this picture is important to me. It has become a home away from home.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42038318137415,"sku":null,"price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Cattle-and-Oil.png?v=1758747432"},{"product_id":"cattle-and-oil-colour","title":"Cattle and Oil (Colour)","description":"\u003cp\u003eS T A N D A R D\u003cbr\u003e32” x 77” Unframed\u003cbr\u003e47” x 92” Framed\u003c\/p\u003e\n\u003cp\u003eL A R G E\u003cbr\u003e42” x 103” Unframed\u003cbr\u003e57” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eEditions available in both B\u0026amp;W and Colour\u003c\/p\u003e\n\u003cp\u003eWEST TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eThis tableau is an empathic love letter to Texas. The two industries most associated with the Lone Star State are ranching and oil and I wanted these distinct ways of life to coalesce as if Taylor Sheridan had merged two of his visually rich productions into one. Ask 1000 US high school kids which State I am celebrating in this photograph and I would expect that 98% would say Texas. The dissenting 2% may need to get off social media and do some more homework.\u003c\/p\u003e\n\u003cp\u003eWe built this 1920s oil boom town set in ranchland in West Texas and over a period of 48 hours I toyed with the most powerful layers of narrative. My default approach is to focus on the foreground and then let the background look after itself. A cattle herd brings dynamism, but also a lack of compositional control; the\u003cbr\u003eprecise movement of the lead longhorns - even with the most skilled of cowboys - cannot be directed and therefore I am gambling.\u003c\/p\u003e\n\u003cp\u003eDays like these can be frustrating as we are not in a studio and the light is changing all the time. There tends to be just a small timeframe in which the magic must happen. I don’t think there is a formula for success other than employing the very best people and then learning very quickly from mistakes on the day.\u003c\/p\u003e\n\u003cp\u003eThe feature closest to the camera is key; a weak first layer often kills a tableau like this. But on this occasion the lead longhorn is strong and glues the composition together. That, of course, is pure luck. We have never met before and he had no idea what I was looking for.\u003c\/p\u003e\n\u003cp\u003eTexas is a unique part of America - it is a State that will always do things its own way and that’s what makes it so special. As a Scotsman who has been made to feel so welcome in Texas, this picture is important to me. It has become a home away from home.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42038320824391,"sku":null,"price":60000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Cattle-and-Oil-Colour.png?v=1758747443"},{"product_id":"once-upon-a-time-in-america","title":"ONCE UPON A TIME IN AMERICA","description":"\u003cp\u003eBROOKLYN, NEW YORK - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e40” x 37” Unframed; 55” x 52” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eSMALL STUDIO SIZE\u003cbr\u003e26” x 24” Unframed; 36” x 34” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e60” x 56” Unframed; 75” x 71” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eCOMMEMORATIVE EDITION\u003cbr\u003e50” x 47” Unframed; 65” x 61” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eAvailable in BW or Colour\u003c\/p\u003e\n\u003cp\u003eThis is a good picture of an outstanding team and I think that the combination is powerful enough to allow it to transcend as a piece of sporting memorabilia. Time will tell, but my early sense is that it could become one of the most coveted pictures of my career. There is an old platitude that the best photographs tend to unfold when good stuff is in front of the lens and this single frame endorses that principle. The true essence of being a team is played out against the most emphatic sense of place conceivable.\u003c\/p\u003e\n\u003cp\u003eWhen I look at the image - as I do every day - I just can’t help smiling; perhaps in recognition that the months of logistical planning were rewarded and also because\u003cbr\u003ethe weather at Brooklyn that appointed morning was generous to us. There was no Plan B.\u003c\/p\u003e\n\u003cp\u003eAbove that, I feel the investment and thought that went into the dressing of the players, the captain and vice captains and caddies paid great dividends. We cut no corners in the individual stylings and consequently everyone was invested in the end result. You win the caddies over and you win the crowd. I want to thank Nicole Allowitz and her styling team for their talent and care.\u003c\/p\u003e\n\u003cp\u003eBut most of all, I recognise the extreme privilege of knowing every single member\u003cbr\u003ein this extraordinary collective of people. History will remind us that they unequivocally proved that in the best teams, the whole is greater than the sum of the parts. Everyone in this picture had earned the right to be at Bethpage and I sensed, from the moment we gathered in New York 10 days before the tournament, that there was a cohesive vibe that united and glued them together. Egos were long left behind and that is the hallmark of a captain as strong as Luke Donald.\u003c\/p\u003e\n\u003cp\u003eTo win the Ryder Cup away from home is empirically tough. This European Team achieved that, but they did so in the daunting bearpit of New York and that surely gives the story added weight.\u003c\/p\u003e\n\u003cp\u003eOnce upon a time in America....\u003c\/p\u003e\n\u003cp\u003eMonies from the sales of this print will be deployed to causes close to the hearts of\u003cbr\u003eeveryone that made this picture possible. It was a proud moment in my journey as an artist.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42091703763015,"sku":null,"price":65000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-ONCE-UPON-A-TIME-IN-AMERICA.jpg?v=1761000728"},{"product_id":"once-upon-a-time-in-america-colour","title":"ONCE UPON A TIME IN AMERICA (Colour)","description":"\u003cp\u003eBROOKLYN, NEW YORK - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e40” x 37” Unframed; 55” x 52” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eSMALL STUDIO SIZE\u003cbr\u003e26” x 24” Unframed; 36” x 34” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e60” x 56” Unframed; 75” x 71” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eCOMMEMORATIVE EDITION\u003cbr\u003e50” x 47” Unframed; 65” x 61” Framed\u003cbr\u003eEdition of 30\u003c\/p\u003e\n\u003cp\u003eAvailable in BW or Colour\u003c\/p\u003e\n\u003cp\u003eThis is a good picture of an outstanding team and I think that the combination is powerful enough to allow it to transcend as a piece of sporting memorabilia. Time will tell, but my early sense is that it could become one of the most coveted pictures of my career. There is an old platitude that the best photographs tend to unfold when good stuff is in front of the lens and this single frame endorses that principle. The true essence of being a team is played out against the most emphatic sense of place conceivable.\u003c\/p\u003e\n\u003cp\u003eWhen I look at the image - as I do every day - I just can’t help smiling; perhaps in recognition that the months of logistical planning were rewarded and also because\u003cbr\u003ethe weather at Brooklyn that appointed morning was generous to us. There was no Plan B.\u003c\/p\u003e\n\u003cp\u003eAbove that, I feel the investment and thought that went into the dressing of the players, the captain and vice captains and caddies paid great dividends. We cut no corners in the individual stylings and consequently everyone was invested in the end result. You win the caddies over and you win the crowd. I want to thank Nicole Allowitz and her styling team for their talent and care.\u003c\/p\u003e\n\u003cp\u003eBut most of all, I recognise the extreme privilege of knowing every single member\u003cbr\u003ein this extraordinary collective of people. History will remind us that they unequivocally proved that in the best teams, the whole is greater than the sum of the parts. Everyone in this picture had earned the right to be at Bethpage and I sensed, from the moment we gathered in New York 10 days before the tournament, that there was a cohesive vibe that united and glued them together. Egos were long left behind and that is the hallmark of a captain as strong as Luke Donald.\u003c\/p\u003e\n\u003cp\u003eTo win the Ryder Cup away from home is empirically tough. This European Team achieved that, but they did so in the daunting bearpit of New York and that surely gives the story added weight.\u003c\/p\u003e\n\u003cp\u003eOnce upon a time in America....\u003c\/p\u003e\n\u003cp\u003eMonies from the sales of this print will be deployed to causes close to the hearts of\u003cbr\u003eeveryone that made this picture possible. It was a proud moment in my journey as an artist.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42091708153927,"sku":null,"price":65000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-ONCE-UPON-A-TIME-IN-AMERICA-Colour_863b2130.png?v=1761000743"},{"product_id":"boom-town","title":"Boom Town","description":"\u003cp\u003eWEST TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e36” x 77” Unframed\u003cbr\u003e51” x 92” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e47” x 103” Unframed\u003cbr\u003e62” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eI am far from alone in my fascination with what life must have been like in an early 20th century boom town, whether the boom was in gold, copper, silver or oil. The Westerns and period dramas we watch on our computers, or indeed in cinemas in the good old days, paint a dark picture of men with disposable moral fibre and transient communities, where life is cheap and true friendships rare. \u003c\/p\u003e\n\u003cp\u003eThere seemed very little by way of law and order and every day could well be an individual’s last. Cowboy capitalists mingled with snake oil salesmen and a whole host of other cartoon characters with no compass as to what was right and what was wrong. These were avaricious, single-minded communities where vice did not lie under the surface - it was right there in main street.\u003c\/p\u003e\n\u003cp\u003eThat makes for good material for a storyteller. I think Taylor Sheridan’s 1923 - shot in the copper boom town of Butte, Montana - conveys all the right vibes.\u003c\/p\u003e\n\u003cp\u003eThe Texas Oil boom between 1900 and the depression, catapulted Texas from a rural farming state, to one of America’s most industrialised, in just one generation. That could not have come without many stories. \u003c\/p\u003e\n\u003cp\u003eTexas was and always will be the spiritual home of the cowboy: the custodian of the last frontier; the emblematic figurehead of Americana. How exactly did they fit into the oil boom when their life was cattle and ranches?\u003c\/p\u003e\n\u003cp\u003eMy sense is that they would have fitted in seamlessly and added some dignity, work ethic and class to the whole affair. Cowboys are pragmatists.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42093825982535,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Boom-Town.jpg?v=1760475332"},{"product_id":"boom-town-colour","title":"Boom Town (Colour)","description":"\u003cp\u003eWEST TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e36” x 77” Unframed\u003cbr\u003e51” x 92” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e47” x 103” Unframed\u003cbr\u003e62” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eI am far from alone in my fascination with what life must have been like in an early 20th century boom town, whether the boom was in gold, copper, silver or oil. The Westerns and period dramas we watch on our computers, or indeed in cinemas in the good old days, paint a dark picture of men with disposable moral fibre and transient communities, where life is cheap and true friendships rare. \u003c\/p\u003e\n\u003cp\u003eThere seemed very little by way of law and order and every day could well be an individual’s last. Cowboy capitalists mingled with snake oil salesmen and a whole host of other cartoon characters with no compass as to what was right and what was wrong. These were avaricious, single-minded communities where vice did not lie under the surface - it was right there in main street.\u003c\/p\u003e\n\u003cp\u003eThat makes for good material for a storyteller. I think Taylor Sheridan’s 1923 - shot in the copper boom town of Butte, Montana - conveys all the right vibes.\u003c\/p\u003e\n\u003cp\u003eThe Texas Oil boom between 1900 and the depression, catapulted Texas from a rural farming state, to one of America’s most industrialised, in just one generation. That could not have come without many stories. \u003c\/p\u003e\n\u003cp\u003eTexas was and always will be the spiritual home of the cowboy: the custodian of the last frontier; the emblematic figurehead of Americana. How exactly did they fit into the oil boom when their life was cattle and ranches?\u003c\/p\u003e\n\u003cp\u003eMy sense is that they would have fitted in seamlessly and added some dignity, work ethic and class to the whole affair. Cowboys are pragmatists.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42093826113607,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Boom-Town-Colour.jpg?v=1760475339"},{"product_id":"bison-oil-and-gas","title":"Bison Oil and Gas","description":"\u003cp\u003eWEST TEXAS - 2025\u003c\/p\u003e\n\u003cp\u003eSTANDARD\u003cbr\u003e34” x 77” Unframed\u003cbr\u003e49” x 92” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eLARGE\u003cbr\u003e45” x 103” Unframed\u003cbr\u003e60” x 118” Framed\u003cbr\u003eEdition of 12\u003c\/p\u003e\n\u003cp\u003eSlightly unintentionally, this tableau greedily features four of the most emblematic symbols of 20th century Americana: the bison; the cowboy; the Ford Model T and oil derricks. Each have played their role in the growth of the country and in ensuring that the American dream has legs.\u003c\/p\u003e\n\u003cp\u003eThis photograph was taken in a boom oil town site we built in West Texas, which is appropriate as the vast Permian Basin is one of the reasons why America is self-sufficient. The Permian alone looks after 20% of American daily oil demand.\u003c\/p\u003e\n\u003cp\u003eFor over 100 years now, the oil industry has been at the heart of the economic success of Texas and anyone with a modicum of common sense knows that this is unequivocally something to celebrate. I am delighted that Taylor Sheridan did exactly this, in his own inimitable way, with his highly watchable series Landman. \u003c\/p\u003e\n\u003cp\u003eThe history of the oil industry, and the history of the world in the last 140 years, are difficult to decouple; it remains the world’s most important commodity and the character rich industry is often played out in some of the world’s more off beat locations. That is why we are drawn to it with our storytelling, there is a rich amount of material, especially if we go back in time and make it a period production.\u003c\/p\u003e\n\u003cp\u003eThe bison has, of course, also played a major role in American history. There have been some dicey moments for this mammal in the West, but all is now good and I thought it would be a fun prop to include on set. Bizarrely we have got to know a very charming guy in Denver who owns a business called Bison Oil and Gas - so we were left with no choice for the name of this photograph.\u003c\/p\u003e\n\u003cp\u003e~ David Yarrow\u003c\/p\u003e","brand":"David Yarrow","offers":[{"title":"Default Title","offer_id":42093913702471,"sku":null,"price":50000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1213\/7518\/files\/David-Yarrow-sorrel-sky-gallery-Photographic-Print-Bison-Oil-and-Gas.jpg?v=1760475348"}],"url":"https:\/\/sorrelsky.com\/collections\/david-yarrow-new-releases.oembed?page=9","provider":"Sorrel Sky Gallery","version":"1.0","type":"link"}